I would guess it is Mosfilm. They own nearly all the Russian films of that period. They should not be that hard to find contact on.
On Fri, Jun 8, 2012 at 4:20 PM, Brewer, Michael < [email protected]> wrote: > I'm forwarding this from the Slavic list. Jessica, or anyone else, know > who now owns the rights to Repentance? > > Michael Brewer > Team Leader for Instructional Services > University of Arizona Libraries > [email protected] > > > -----Original Message----- > From: SEELANGS: Slavic & East European Languages and Literatures list > [mailto:[email protected]] On Behalf Of Benjamin Rifkin > Sent: Thursday, June 07, 2012 1:03 PM > To: [email protected] > Subject: [SEELANGS] Performance Rights for Repentance > > Dear SEELANGers: > > Can anyone tell me who owns the Performance Rights for Abuladze's 1984 > film Repentance? The film was owned by the Cannon Film Group, but it went > bankrupt and I can't tell what happened next. I'd like to arrange for a > public showing of this film on my campus in the fall. > > Thanks for your help. > > Ben Rifkin > The College of New Jersey > > ------------------------------------------------------------------------- > Use your web browser to search the archives, control your subscription > options, and more. Visit and bookmark the SEELANGS Web Interface at: > http://seelangs.home.comcast.net/ > ------------------------------------------------------------------------- > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. >
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
