Oooh! Deg!!! Deg!!! Can I rant first? Please!!!

God knows my days as a distributor will be over in the next decade or so,
but let's not hasten it. And such a future decision will be disastrous in
certain cases. I'll give you a couple right now.

We lost the rights to silent film a couple years ago. I just gave away the
last DVD today to someone. That film is owned and copyrighted by a foreign
producer but not distributed in the United States, though it is in Germany
and the UK. Now, a library could state that to buy a copy of the DVD from
the UK for $40 is prohibitive or that they are not allowed to make
purchases overseas. So if copies are made and distributed to other
localities, what financial incentive is there for another distributor to
bring out a new release of it -- and these days, in a version multiple
times better than my copy was?

The second example would be an indie director who prefers to sell his
copies for $495. And let's say some buyers don't know how to do specialized
searches for the director. If copies are made and borrowed by a library
because they decided that $495 is too much money or that the director's
films are not found in the Baker & Taylor catalog, does that justify the
lack of payment to a filmmaker and does it discourage the filmmaker from
making his films available digitally in the first place because people are
duping them legally?

I think libraries are places for access while protecting their materials
(though why there are not more of you joining AMIA is beyond my
comprehension! -- there another rant), but once they take it on themselves
to become distributors by producing copies and sending them out, they
 might be doing more damage than good.

-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: [email protected]
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
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On Thu, Feb 14, 2013 at 1:57 PM, Deg Farrelly <[email protected]> wrote:

> Read the Work Group report and recommendations.
>
> Formerly distributed:
> http://www.section108.gov/docs/Sec108StudyGroupReport.pdf
>
>
> (page 15)
>
>
>
>
>
>
>
>
> 5.
>                                 The prohibition on off-site lending of
> digital replacement copies
> should
> be modified so that if the library¹s or archives¹ original copy of a work
> is
> in a physical digital medium that can lawfully be lent off-site, then it
> may
> also lend for off-site use any replacement copy reproduced in the same or
> equivalent physical digital medium, with technological protection mea-
> sures equivalent to those applied to the original (if any).
>
>
>
> deg farrelly, Media Librarian
> Arizona State University Libraries
> Hayden Library C1H1
> P.O. Box 871006
> Tempe, Arizona  85287-1006
> Phone:  602.332.3103
>
>
>
>
>
>
>
>
> On 2/14/13 7:39 AM, "[email protected]"
> <[email protected]> wrote:
>
> >------------------------------
> >
> >From: Jessica Rosner <[email protected]>
> >Subject: Re: [Videolib] Brief Summary on the Copyright Exceptions for
> >       Libraries in the Digital Age: Section 108 Reform
> >
> >
> >Um can you explain what "permitting loan of a copy of something that was
> >originally purchased to be loaned". That sounds like it covers any item in
> >a library so you should be able to make a copy anything in the collection
> >(
> >book, DVD, magazine) and loan the copy instead of the original?  I am kind
> >of lost on that one.
>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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