hi Everyone, 
I have a query into sony about some other titles, but last I heard from 
criterion they don't offer any kind of digital streaming license. 
Any clues about how to get over this, or when it might change? 
thanks! 
Jane 

----- Original Message -----

> From: "Jessica Rosner" <[email protected]>
> To: [email protected]
> Sent: Tuesday, May 7, 2013 10:17:59 AM
> Subject: Re: [Videolib] Permission needed

> Funny I was just about to ask about that. Both VOLVER & WOMEN should
> be Sony Classics and for some reason i don't keep their contact
> handy but I know many people have it.

> On Tue, May 7, 2013 at 9:21 AM, Sarah E. McCleskey <
> [email protected] > wrote:

> > Sorry, I think I was wrong about Volver. I think I was looking at
> > Criterion Francais!
> 

> > From: [email protected] [mailto:
> > [email protected] ] On Behalf Of Moshiri, Farhad
> 
> > Sent: Tuesday, May 07, 2013 8:56 AM
> 
> > To: [email protected]
> 
> > Subject: [Videolib] Permission needed
> 

> > A faculty member is looking for a way to secure permission to
> > stream
> > the following three films to his online film studies class (he has
> > the DVDs). He has contacted SWANK, Sony and Image Entertainment
> > with
> > no success. Do you know any other way? Thanks.
> 

> > Women on the Verge by Pedro Almodovar
> 
> > Volver (Return) by Pedro Almodovar
> 
> > Flowers from Another World by Iciar Bollain
> 

> > Farhad Moshiri
> 
> > Audiovisual Librarian
> 
> > University of the Incarnate Word
> 
> > San Antonio, TX
> 

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> VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation,
> acquisition,bibliographic control, preservation, and use of current
> and evolving video formats in libraries and related institutions. It
> is hoped that the list will serve as an effective working tool for
> video librarians, as well as a channel of communication between
> libraries,educational institutions, and video producers and
> distributors.
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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