I they go beyond the work they’ve already done, I hope that will be summarized here as well. Anyone who has not yet read their report/white paper (here: http://www.nyu.edu/tisch/preservation/research/video-risk/VideoAtRisk_SECTION108_Guidelines_2013.pdf ) definitely should. Very good work.
mb Michael Brewer | Librarian | Team Leader for Instructional Services From: [email protected] [mailto:[email protected]] On Behalf Of Jeanne Little Sent: Wednesday, September 11, 2013 2:16 PM To: [email protected] Subject: Re: [Videolib] Section 108 provisions I hope someone (Deg?) can give those of us who cannot attend this year an overview of what was discussed during this session. Thanks! Jeanne Little On Wed, Sep 11, 2013 at 3:51 PM, Deg Farrelly <[email protected]<mailto:[email protected]>> wrote: Thank you Michael. The issues of replacing lost, damaged, deteriorating, stolen, and obsolete format videos are rapidly expanding for many of us with large VHS collections. These issues are at the foundation of the Video at Risk project. One of the first public programs addressing the work of the VAR project will be the professional development session to be presented at this year's National Media Market, November 3-7. Howard Besser, Melissa Brown, and Walter Forsberg, all from New York University will present the opening session: ³Video At Risk: Strategies for Preserving Commercial Video Collections in Research Libraries² Sure to be valuable information for all of us! More information on the National Media Market and the other Professional Development sessions here: http://nmm.net and here: http://www.nmm.net/2013-sessions/ deg farrelly, Media Librarian Arizona State University Libraries Hayden Library C1H1 P.O. Box 871006 Tempe, Arizona 85287-1006 Phone: 602.332.3103<tel:602.332.3103> --- http://tinyurl.com/AboutNMM To market, to market, to find some fresh filmŠ I'm attending the 2013 National Media Market, November 3-7 In Charleston, South Carolina. See you there? On 9/11/13 12:28 PM, "[email protected]<mailto:[email protected]>" <[email protected]<mailto:[email protected]>> wrote: >While it might not be a great copy (and would have to suffice until the >work is rereleased), remember that it is legal under Section 108 to >create a replacement copy if your library copy is stolen, lost, damaged, >etc. if an unused copy is not available at a reasonable price. I read >that to mean that an unused copy is not being marketed or readily >available for sale. Your library may want to go beyond just checking the >marketplace and try to contact the copyright holder to see if a >replacement copy is available. Either way, you should be able to replace >your current copy (either with one you can purchase, or by making a >copy). If you transfer to a DVD, 108 states that the copy cannot be >circulated to the public outside of the library. That, too, has been >understood in different ways by different libraries, and you'll want to >internally decide what that means for your library and how you will >comply. > >mb > >Michael Brewer | Librarian | Team Leader for Instructional Services > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50613-3675 319-273-7255
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
