Hi Laura, I might have sent this already; but I seem to have some outlook psycho problems.
I'll be in and at hotel by 3; according to schedules. We could work 3:30-4:30, 4-5. Are you going to keynote; right? Probably want to get a drink before. Or Tuesday morn after filmmakers panel. Or I could meet on Tuesday @4 - I'm meeting with Andy from 2-4 to brainstorm on ALA VRT PR stuff. You could told join us btw. ok, now i'm sending this. see you tomorrow (oh and what is your cell?) 740.591.8656 lorraine ________________________________ From: [email protected] <[email protected]> on behalf of Laura Jenemann <[email protected]> Sent: Saturday, October 22, 2016 10:04:40 AM To: [email protected] Subject: [Videolib] The Future of Ownership series from Slate Dear list, If you're looking for a cogent introduction or refresher to the change from the ownership to the licensing model of accessing video, you might want to check out this article: Fellmeth, A. (2016, October 7). You Bought It, but You Don't Own It. Retrieved October 22, 2016, from http://www.slate.com/articles/technology/future_tense/2016/10/the_uncertain_future_of_copyright_in_the_on_demand_age.html "This article is part of the future of ownership installment<http://www.slate.com/articles/technology/future_tense/futurography_ownership.html> of Futurography<http://www.slate.com/articles/technology/future_tense/futurography_2016.html>, a series in which Future Tense introduces readers to the technologies that will define tomorrow. Each month, we'll choose a new technological issue and break it down. Future Tense is a collaboration among Arizona State University<http://www.asu.edu/?feature=research>, New America<http://www.newamerica.org/>, and Slate." You can find the Future of Ownership series here: http://www.slate.com/articles/technology/future_tense/futurography_ownership.html Apologies for any duplication. Regards, Laura Laura Jenemann Media, Film Studies & Dance Librarian George Mason University Libraries Email: [email protected] Phone: 703-993-7593
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
