> In the third bar it goes onto the 2nd course - it doesn't matter that there's no strict voice leading throughout. As said many emls earlier, the style is melody and flourishes with interspersed chords and odd accompanying notes when he best considers. It is, in my view, the real genius of Corbetta (and a few others) that he can do this so v well >
When there's no strict voice leading and there are odd accompanying notes it is difficult to find arguments in the music itself for any tuning. L. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
