On 13 June 2010 05:26, Ed Durbrow <[1]edurb...@sea.plala.or.jp> wrote:

       Where are you folks hearing these samples? Available on the net?
     You
       all bought the CD?



   I bought the mp3 download from amazon UK. I'd rather get a CD  (sleeve
   notes etc) but the CD was three times as expensive from just one dealer
   with an 88% rating.

   7-L-/euros is not expensive and I was intrigued to hear it. According
   to some people, there are issues with Conte's playing but - apart from
   some far too slow renditions - I couln't hear them. I think that I have
   more of an issue with Corbetta - or this part of Corbetta's oeuvre -
   than Conte's playing of it.


   Stuart







       On Jun 6, 2010, at 4:14 AM, Stuart Walsh wrote:
       Monica Hall wrote:
           Don't know whether the rest of you have already noticed this
     but
         Carpe
           Diem have recently released a beautiful recording of music
     from
           Corbetta's 1671 Guitarre royale played by Rosario Conte - the
     best
           recording available now Antonio Ligios recording is no longer
           available.
       For some reason the first suite reminds me of a very old recording
     of
       Schaffer's on Baroque lute of a suite in G minor by Bittner.
       Someone said the recording is 'close' and you can hear fingers on
       strings - other than playing the notes! - and indeed the man
     himself
       breathing. (My wife thinks he looks like the actor, Patrick
     Stewart).
       He surely gets a very nice sound from the guitar and his brushing
     of
       chords is very delicate (some players are rather raspy) and lots
     of
       ornaments. The Prelude of this first suite is quite slow with
     familiar
       little phrases but Rosario gives his all. The Allemande has a
     little
       percussive sound at the beginning which happens at the repeat?
     Seems
       very well played to me. The Courante sounds fine to me too but I
     agree
       with others that the Sarabande is too slow. The Baroque lute can
     be
       played super slow (as it were) but I'm not sure this very slow
     tempo
       suits the guitar, or even this particular sarabande. A fine gigue
       (which is reminiscent of something else) and a swingless
     Passacaille to
       end.
       Stuart
           Monica
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         To get on or off this list see list information at
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       Ed Durbrow
       Saitama, Japan
       [2][3]edurb...@sea.plala.or.jp
       [3][4]http://www9.plala.or.jp/edurbrow/
       --
     References
       1. [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       2. mailto:[6]edurb...@sea.plala.or.jp
       3. [7]http://www9.plala.or.jp/edurbrow/

   --

References

   1. mailto:edurb...@sea.plala.or.jp
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   3. mailto:edurb...@sea.plala.or.jp
   4. http://www9.plala.or.jp/edurbrow/
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   6. mailto:edurb...@sea.plala.or.jp
   7. http://www9.plala.or.jp/edurbrow/

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