An Editor Who Makes Times Visuals Accessible to All

Jaime Tanner, The New York Times's first accessibility visuals editor, wants
to remove barriers to make sure readers with disabilities can engage with
Times visual journalism.

By Sarah Bahr

March 24, 2024, 3:00 a.m. ET

 

When Jaime Tanner joined The New York Times as its first accessibility
visuals editor in July 2022, it was also her first time in a newsroom.

 

Ms. Tanner, who has a master's degree in data visualization from the Parsons
School of Design, came to The Times from Visa, where she built accessible
user interfaces for products and applications.

 

"I tended to overexplain early on," she said of her first few months at The
Times. "I would say, 'This is important for this reason and will benefit our
audience in this way.'"

 

Ultimately, she found that Times journalists were eager to learn about how
they could make articles and visuals accessible to readers with
disabilities. (At least one in four adults in the United States live with at
least one disability, according to the Centers for Disease Control and
Prevention.)

 

One accessibility feature that readers can find in online articles is alt
text: descriptions of images that can be read aloud or presented as Braille
by assistive technologies. Alt text is critical for people who are blind or
have low vision. Soon after joining The Times, Ms. Tanner worked with the
Newsroom Development and Support team to improve upon and expand the
availability of alt text on photos, graphics and illustrations.

 

Accessibility, Ms. Tanner said, is about "identifying and removing barriers
to make sure everyone can engage with our stories." In an interview, she
reflected on the feedback she had received from readers and her goals for
The Times's journalism. These are edited excerpts from the conversation.

 

What were the first steps you took when you arrived at The Times?

 

One was to do accessibility reviews of stories: I read articles, gave
feedback and made changes that improved the experience for readers who use
different assistive technologies - software or equipment that help readers
with disabilities interact with the web. For example, screen readers read
web pages aloud or translate them into Braille. Speech recognition software
allows people to interact with a page by voice command. When I review
articles, I think about readers who use these technologies and whether they
can access and understand the information.

 

How has your work evolved over the past two years?

 

When I started at The Times, I spent a bit more time explaining what
accessibility meant. Now, Times journalists ask more specific questions
like: "I'm working on this quiz. Does it work with a screen reader?" I can
chat with a Graphics editor about how they might address certain issues. I'm
grateful to see people developing new components of their work with
accessibility in mind.

 

Day to day, I work on accessibility edits on articles, help make changes to
our platforms and discuss best practices and reader feedback with teams.
Looking ahead, I'm thinking more about overall systems versus individual
stories. For example, how can I support our Graphics editors so they can
identify barriers and incorporate accessibility measures using our
publishing tools?

 

What feedback have you received from readers?

 

The Times worked with the American Council of the Blind to put together
focus groups and surveys, which involved reviewing examples of alt text from
articles we have published. There was a lot of feedback about how much extra
detail we were including; readers wanted it short and sweet.

 

On the other hand, they were telling us that the alt text we'd written for
graphics - specifically maps - was often too simple. So now when we write
alt text for graphics, we try to really hone in on all the vital information
that's there. That's challenging for more complex displays like weather
graphics, which are constantly changing.

 

Is there a project you are particularly proud of?

 

After earthquakes struck Turkey and Syria in February 2023, The Times
published an interactive piece that showed a historic Turkish street before
and after the earthquakes. As you scroll through the article, you can see
the demolished street with overlays of buildings that used to be there,
alongside text and more photos describing the scene. There's so much going
on in the article - so many layers of information, more images than text -
and the reporters did a tremendous job describing that experience in alt
text.

 

I shared it with a colleague from a different news organization who's blind;
he said it had a wonderful dynamism he hadn't experienced in a story before.
It was awesome to know that, even for these complex stories, we're able to
do the work to make sure all readers can access the information and feel
immersed in the storytelling.

 

Anything else you want to add?

 

People often think that my work with our visual teams focuses only on people
with visual disabilities, but it also includes people with auditory,
cognitive, physical and speech disabilities. Visual journalists at The Times
are always experimenting with new ways to tell stories, and we want to be
sure that we consider the ways disabled readers will experience that work. I
want our stories to be accessible to everyone.

 

Sarah Bahr is a senior staff editor at The Times. She has reported on a
range of topics, most often theater, film and television, while writing for
the Culture, Styles and National desks. 

A version of this article appears in print on March 24, 2024, Section A,
Page 2 of the New York edition with the headline: Making Times Visuals
Accessible to All Readers.

 

Original source:

https://www.nytimes.com/2024/03/24/insider/an-editor-who-makes-times-visuals
-accessible-to-all.html

Richard, USA

"At the moment of commitment, the universe conspires to assist you."

-- Wolfgang Von Goethe 

 

My web site:  <https://www.turner42.com/> https://www.turner42.com/

 

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JAWS version 2024.2403.3

 

 

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