Posted by Eugene Volokh:
*Godfather* and the Law:
http://volokh.com/archives/archive_2009_06_14-2009_06_20.shtml#1245343337


   From [1]U.S. v. Kincannon (7th Cir.):

     The government�s closing argument came next, during which the
     prosecutor made an analogy to an Academy-Award-winning movie: The
     Godfather. Recounting a pivotal scene where the director
     simultaneously presented assassinations orchestrated by the
     protagonist, Michael Corleone, the prosecutor explained that he,
     like the movie�s director, would attempt to seamlessly tell the
     �story of what happened� in this case....

     Kincannon ... argues, for the first time on appeal, that the
     prosecutor inflamed the passions of the jury, rendering the trial
     unfair, by referring in closing argument to The Godfather ....

     The prosecutor�s reference to The Godfather does not approach
     impropriety. It would be one thing if the government compared
     Kincannon to Michael Corleone, an organized crime kingpin
     responsible for murders and a whole host of other criminal
     activity. Such an analogy would be utterly unmoored from the
     record, which is probably why the government made no such
     connection. It was not Corleone�s criminality, but Francis Ford
     Coppola�s direction that was at the heart of the prosecutor�s
     closing remarks. The prosecutor alluded to the pivotal point in the
     movie where Corleone attends his godchild�s christening. Coppola
     cuts to various scenes of assassinations orchestrated by Corleone
     as a priest dubbed him the child�s godfather. The poetic
     implication is that the murders, like the priest�s liturgy, made
     Michael the godfather of the Corleone crime family. As the
     prosecutor said, �[n]ow that is how you present events that occur
     simultaneously in a movie so the viewer can understand it very
     easily.� We agree, as did the Academy of Motion Picture Arts and
     Sciences, who nominated Coppola for an Oscar for best director.
     [Footnote: In an upset along the lines 2 of the 2009 Kentucky Derby
     win by Mine That Bird, the 1972 Oscar went to Bob Fosse (for
     Cabaret) rather than Coppola.] The prosecutor explained to the jury
     that he would try to do orally what Coppola did in his film -- that
     is, tie together the events that occurred during the two controlled
     buys into one seamless story. To do so as eloquently as Coppola is
     a tall task, but there is certainly nothing improper about the
     attempt.

   An interesting fact about the case, from the start of the opinion, "At
   77 years old, James Kincannon makes for an unlikely methamphetamine
   dealer. But looks can be deceiving." And from later on, "Kincannon was
   in his fifties when his criminal record started and days away from his
   73rd birthday when he was last released from prison after being popped
   for distributing drugs."

References

   1. http://www.ca7.uscourts.gov/tmp/OG1FG1LS.pdf

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