Posted by David Post:
More from the Copyright Wars:
http://volokh.com/archives/archive_2009_08_02-2009_08_08.shtml#1249253014


   Two interesting developments this past week in the ongoing
   transformation of copyright law and copyright principles on the Net.
   In Boston, BU grad student Joel Tenenbaum was found [1]guilty of
   willful infringement for (admittedly) downloading copyrighted music
   (using KaZaa and other p2p file-sharing services) and reproducing and
   re-distributing the downloaded files. It's only the second of the
   dozens and dozens of lawsuits brought by the RIAA against individual
   file-sharers to reach a judgment (the other resulted similarly in a
   favorable verdict for the RIAA).

   Tenenbaum's lawyers -- Charlie Nesson of Harvard Law and
   colleagues/students from the Berkman Center -- have announced they'll
   appeal, and they may have good grounds for reversal; the judge
   [2]eliminated any consideration of Tenenbaum's "fair use" defense,
   and, though I haven't been following the litigation terribly closely,
   that ruling strikes me as questionable at best.

   One interesting little aspect of the judgment: The jury awarded the
   record companies $675,000 in damages -- $22,500 for each of the 30
   songs on which the suit was based. As my colleague James Grimmelmann
   of NY Law School has pointed out, that's a curious number for the jury
   to have chosen. The statutory damage provisions of the Copyright Act
   (17 USC sec. 504) allow a jury to award damages of $750 (minimum)to
   $30,000 (maximum) for each work infringed (which can be raised, or
   lowered, by the judge in certain circumstances). The minimum amount
   that the RIAA could have been awarded, then, would have been a total
   of $22,500 ($750 x 30 songs). Could it be they got mixed up, and
   instead awarded plaintiffs $22,500 for each song? Why else would they
   have chosen that amount? Strange ...

   But better news comes via Cory Doctorow over at boing-boing:
   "[3]Record Company Embraces Use of its Music in YouTube Wedding Video,
   Makes Money." The Youtube video "JK's Wedding Entrance Dance," which
   has become something of a viral sensation, featured Chris Brown's song
   "Forever," used without permission. Brown's record label, instead of
   demanding that YouTube take the video down (which it could have done,
   successfully) and/or suing the folks who posted it (who now,
   incidentally, have [4]their own webpage devoted to this particular
   video phenomenon), opted to add a link on the YouTube page where users
   can go to buy the original track. They have, as Doctorow puts it,
   "made a truckload of money." Not only have their been loads of
   click-through purchases from the YouTube page, but in a kind of
   penumbra effect, Brown's original track, and his own video, have, more
   than a year after release, zoomed back to the top of the iTunes and
   Amazon charts.

   This is a story noteworthy only for its noteworthiness -- that is, for
   the fact that this sort of arrangement is considered innovative and
   not Standard Operating Procedure for the record labels. The
   promotional opportunities presented by phenomena like this are
   prodigious, and have gone largely unrealized because of the labels'
   largely unwavering enmity towards any infringing uses of their works.
   This is, hopefully, a harbinger of things to come. [And thanks to
   Sarah Post for pointing me to Doctorow's story]

References

   1. http://legaltimes.typepad.com/blt/2009/07/31/
   2. 
http://arstechnica.com/tech-policy/news/2009/07/judge-rejects-fair-use-defense-as-tenenbaum-p2p-trial-begins.ars
   3. http://www.boingboing.net/2009/07/31/record-company-embra.html
   4. http://www.jkweddingdance.com/

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