Many congratulations! We will have to throw you a party at some point.
(Wikimania?)

-- phoebe

On Wed, Apr 2, 2008 at 5:16 AM, Joseph Reagle <[EMAIL PROTECTED]> wrote:
>
>  Hello everyone, I thought some folks might be interested in:
>
>  [[http://reagle.org/joseph/blog/culture/wikipedia/annc-in-good-faith
>  ...
>  Wikipedia, "the free encyclopedia anyone can edit," has caught the attention
>  of the world. Discourse about the efficacy and legitimacy of this
>  collaborative work abound, from the news pages of "The New York Times" to
>  the satire of "The Onion." So how might we understand Wikipedia
>  collaboration? In part 1 I argue that Wikipedia is an heir to a twentieth
>  century vision of universal access and goodwill; an idea advocated by H. G.
>  Wells and Paul Otlet almost a century ago. This vision is inspired by
>  technological innovation -- microfilm and index cards then, digital
>  networks today -- and driven by the encyclopedic compulsion to capture and
>  index everything known. In addition, I place Wikipedia within the history
>  of reference works, focusing on their (often fervent) creators, and the
>  cooperation, competition, and plagiarism encountered in their production.
>  In part 2, I conceptualize Wikipedia as a technologically mediated "open"
>  community; through ethnography I identify the norms, practices and meanings
>  of Wikipedia culture including "Neutral Point of View," good faith, and
>  authorial leadership. In particular, I use the metaphor of a jigsaw puzzle
>  to explain the operation of Wikipedia's collaborative culture: "Neutral
>  Point of View" ensures that the scattered pieces of what we think we know
>  can be joined and good faith facilitates the actual practice of fitting
>  them together. Finally, in part 3 I focus on the cultural reception and
>  interpretation of Wikipedia. I argue that in the history of reference works
>  Wikipedia is not alone in serving as a flashpoint for larger social
>  anxieties about technological and social change. I try to make sense of the
>  social unease embodied in and prompted by Wikipedia by way of four themes
>  present throughout the dissertation: collaborative practice, universal
>  vision, encyclopedic impulse, and technological inspiration. I show that
>  the discourse around Wikipedia reveals concerns about how new forms of
>  technologically mediated content production are changing the role and
>  autonomy of the individual, the authority of existing institutions, and the
>  character (and quality) of cultural products.
>  ]]
>
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