So I assume these are recent works? Aren't you on the road? If so, does
that mean you basically just play any instrument you can get your hands
on without any practice? How does that work?
Also, I'm curious how you negotiate the methods of improvisation and
codework within a single conceptual framework, since the two seem to be
at odds, much as Cage and Boulez were considered to represent opposite
ends of the musical spectrum at one time.
No need to answer, of course, but just wondering. . .
M
On Jun 27, 2005, at 9:13 AM, Alan Sondheim wrote:
Sony stereo microphone, Compaq laptop, Audiomulch, Cooledit. That's
about
it.
- Alan, and thanks
On Mon, 27 Jun 2005, mIEKAL aND wrote:
Listening to these now and wondering what setup did you use to record
them? The ambience is sort of spartan, but I like the feel, feels
like
a private performance. My ultimate complement for music is if I
listen
to something & it makes me want to break out the horns, the music is
working good. This does that.
( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt )
