Radulescu, pleochroic, observes the candid fissures marking out a transitional analogue of wonder among the rows of glyphthroats which grow and recede along the boundaries of the palaeocracy's odontophoric langue ribbon whose ghostly and ornate rootsac houses the ionic signature of Vladimir Mikhailovich Komarov, that leaf which threaded the Kosmon's eyrie's astrologer, Araz Khushasp, teeming and lousy with kaukabas, epiphaniai, and resurrexits, and whose gnosticene valvopodia of glycerin riddlepores are both sacral and buccal and easily replaced by the queasy sorority of motion, parallax and perspective which together are known as the "Mother with a Big Hat," respectfully.
