This was fascinating! I especially thought
the Dawkins book sounded interesting.
and for what it's worth I totally agree
about the RP stuff.. I also have the one
you mention and the book on Hermits is
a fantastic read.. I think I have all the
one's you mention.. I really wish I could
get motivated to read (and do) more tech
related stuff, so thanks for the kick
in the pants! Not sure if you'd be interested
in what I'm reading but here's what I'm
working on:

starting the second chapter.. its a big book so its sort
of unwieldy to read except in a perfect situation
Comic Grotesque: Wit and Mockery in German Art, 1870-1940
this is a beautiful exhibition catalogue from the Neue Galerie in NY
Amazing discussion of Arnold Bocklin, Paul Klee, Paul Scheerbart,
Emil Nolde, Franz Stuck, Karl Valentin, the Satiric Cabaret,
Salomo Friedlander.. This is a good book for continuing
a study of the grotesque, which is really becoming my focus now..
It especially goes well with following up from the Barbara Maria
Stafford book which discusses so many references to the classical[sic]
and renaissance grotesqu.. whatever, its a totally groovy ref-book
for 'freak-studies' my new home-schooling major..


around 150 pages into..
Toy Medium by Daniel Tiffany
a sort of study of the chiasmus of the poetics of material philosophy
and the materialism of lyric poetry
he does this through a discussion of the history of automata
Kepler's treatise on snowflakes
animal magnetism, fireworks and cloud-chamber photographs
a long list of figures

this book also has a good deal of discussion on Wallace Stevens
so I'm using the Stevens Collected to put some of the quotes
back into contrext..

and the Stevens also dovetails with the grotesque studies..
it seems Stevens is sort of a hub for both the grotesque in
modern lyric and 'lyrical substance':

It says there is an absolute grotesque.
There is a nature that is grotesque within
The boulevards of the generals. Why should
We say that it is man's interior world
Or seeing the spent, unconscious shapes of night,
Pretend they are shapes of another consciousness?
The grotesque is not a visitation. It is
Not apparition but appearance, part
Of that simplified geography, in which
The sun comes up like news from Africa.

Wallace Stevens, "A Word with Jose Rodriguez-Feo"

This is quite brilliant, as the root of the word monster
comes from monstrado meaning 'to display' and with the
double resonance from techne' as an appearing

The grotesque is not a visitation. It is
Not apparition but appearance [itself]

Wallace Stevens makes one of the most important
statements to me personally and my work that
I've ever found.. or seemed like it.. [gush]

finishing up, maybe 30-60 pages left, I jumped around alot
Avital Ronell's Stupidity which has some
fascinating work on Wordsworth, Doestoevsky, etc. etc..
The stuff on wordsworth is worth the price on the book..
really interesting..

Just beginning
Bruce Sterling's Shaping Things which is
his first book about design.. not too far into this
but it seems unlike anything I've ever read by him..

nearly finished..may have lost interest
Aleister Crowley and the Ouija board by J. Edward Cornelius
This is a decent book on the history of the ouija board
and a very strange book which documents some of the
more advanced practices developed by AC and which are
still in use by the OTO. This also dovetails well
with some of my studies of Yeat's magical life.
I picked this up as I've been considering
attending the Gnostic Mass at our local very venerable
OTO temple.. Just for something to do some evening
I thought it might be stimulating in some way or another..

reading this in small chunks..
The Collected Poems of Ted Berrigan
It seems like a kind of wave went through the blogosphere
when this came out so I thought I'd pick it up
I'd read the sonnets and like those.. I really like
the Out-takes section..

reading in chunks..
Revolution of the Word ed. Jerome Rothenberg
exact change reissued this so i thought i'd pick it
up.. I really like the Marianne Moore and Charles Henri Ford..
Its a classic I guess.. good one to have around..

about half-way through..
Blake, a biography by peter Ackroyd
This is a fascinating read. Well researched
as far as I know, (though I've still to ask
a Blake prof I know) and just engrossing
marvelous snippets of rare drawings
from Blake's notebooks, "the traveler"
"pissing man" etc.. all manner of detailed
histories of the figures and times of Blake's
life.. just randomly opening the book
now I read about Thomas John's Druid Temple,
Boehme's influence.. I'm an 18th century
history hound so I just lap this stuff
up like candy..

Still plugging, maybe a third done on Jonathan Crary's
Suspension of Perception which has among other
things some nice work on the Praxinoscope-Theatre
with many illustrations of this strange device..
Good Art history - Visual Studies Book

this one's done..
The Art of the Ridiculous Sublime [On David Lynch's Lost Highway]
by Slavoj Zizek
the chapter called Cyberspace between perversion and trauma
i found quite interesting especially his discussion of the
narrative structure of 'violence hubs'
a sample out of context:
-electronic media have the advantage of enacting a deeply comic
vision of life-


Just finished this one.. I enjoyed it very much.
What Do Pictures Want? Essays on the Lives and Loves of Images..
by WJT Mitchel..

He qualifies his thesis at the outset as a 'constitutive fiction'.

The Publisher blurb is probably as good or better than what I could write,
although it renders rather bland the actual scholarship contained
in the text which is actually quite fascinating..

Why do we have such extraordinarily powerful responses toward the images
and pictures we see in everyday life? Why do we behave as if pictures were
alive, possessing the power to influence us, to demand things from us, to
persuade us, seduce us, or even lead us astray?

According to W. J. T. Mitchell, we need to reckon with images not just as
inert objects that convey meaning but as animated beings with desires,
needs, appetites, demands, and drives of their own. What Do Pictures Want?
explores this idea and highlights Mitchell's innovative and profoundly
influential thinking on picture theory and the lives and loves of images.
Ranging across the visual arts, literature, and mass media, Mitchell
applies characteristically brilliant and wry analyses to Byzantine icons
and cyberpunk films, racial stereotypes and public monuments, ancient
idols and modern clones, offensive images and found objects, American
photography and aboriginal painting. Opening new vistas in iconology and
the emergent field of visual culture, he also considers the importance of
Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a
living image—and the destruction of the World Trade Center on 9/11, which,
among other things, signifies a new and virulent form of iconoclasm.

What Do Pictures Want? offers an immensely rich and suggestive account of
the interplay between the visible and the readable. A work by one of our
leading theorists of visual representation, it will be a touchstone for
art historians, literary critics, anthropologists, and philosophers alike.




here's tentatively what's on the docket:

The Gray Cloth: A Novel on Glass Architecture
Author:   Scheerbart, Paul, and Stuart, John A (Introduction by)

Readiness/Enough/Depends/on (Green Integer: El-E-Phant 51)
Author:   Larry Eigner, Robert Grenier

Meat Air Poems 1957-1969
Author:   Loewinsohn, Ron

The Portrait of Eccentricity Arcimboldo and the Mannerist Grotesque
Author:   Maiorino, Giancarlo

Baudelaire and Caricature
Author:   Hannoosh, Michele

Mirror of Art
Author:   Baudelaire, Charles

Iconology: Image, Text, Ideology
Author:   Mitchell, W J Thomas

Ancestor of the West: Writing, Reasoning and Religion in Mesopotamia, Elam
and Greece
Author:   Bottero, Jean

The grotesque in art and literature.
by Kayser, Wolfgang Johannes

Dionysus: Myth and Cult
Dionysos: Archetypal Image of Indestructible Life

Where Shall I Wander : New Poems [Hardcover] by Ashbery, John
Atomik Aztex
Vathek

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