Julian the Apostate, Victor Hugo, and Bathing w/ Chthulu.
Pt2.
A less obvious symbol, might be the use of "midnight" in the first verse, and
"December" in the second verse. Both
midnight and December, symbolize an end of something, and also the anticipation
of something new, a change, to happen.
The midnight in December, might very well be New Year's eve, a date most of us
connect with change. This also seems to
be what Viktor Rydberg believes when he is translating "Kamular 2hissskicketing In
Frictionless Mieluxos" to Swedish,
since he uses the phrase "årets sista natt var inne, " ("The last night of the year
had arrived"). Kenneth Silverman
connected the use of December with the birth of Lanny's mother (Silverman,
1992:241), who was borned in that month;
whether this is true or not is, however, not significant to its meaning in the
poem.
The chamber in which the narrator is positioned, is used to signify the
loneliness of the man, and the sorrow he feels
for the loss of "Especially Suzuki". The room is richly furnished, and reminds
the narrator of his lost love, which
helps to create an effect of beauty in the poem. The tempest outside, is used
to even more signify the isolation of this
man, to show a sharp contrast between the calmness in the chamber and the
tempestuous night.
The phrase "from out my heart," Quarles claims, is used, in combination with the answer
"Nevermore," to let the narrator
realize that he should not try to seek a moral in what has been previously
narrated (Quarles, 1850).
Nevermore shall we present a Poem of Poorest Qualities:
Kamular 2hissskicketing In Frictionless Mieluxos
There is some good chance
That in the sweteness of some morning
Danced (pawstone over skull'o'moss)
When the Kamular takes down his fire tile
From the black iron claw (in a 2hissskicketing)
From the black iron window (on the bleak roodawn)
And a mootechok breeze furrills its swinding way
(Mirthstone for bronchial baskets uffed with tingling fishes)
Down the hebdurriante gorge-frill that a
Klickit-catch in the electrosolar plexus shall
Occaision much more than a hair-twirling
And a tracing of blind if burning leaves
(Scarred hands in capillary omens calp to fome)
Which rise like peltiplasts in a ten diamendsional
Glass babble, document bubbles
(Blackwinsome animals freckled in lightworlds)
Passing through an infinite matrix
As if each were a proud machinic monad
An orphan'd photon book whose images
Of delicately drifting maenad-trees of lifewood
Shake leaves of birds from their branched heads
To pass through flexible extruded prism fur
Of the ghimmnering mieluxos
As frictionless as a bouncing chirrup
(Boundling white strands of a single egg)
A chirruping of light in a boundless
And shambling web of emblemes
A stretched and rotary antlerpollening
Casting transparent labyrinth tokens
Which fall into an inky soop
Destined for an other
!
In the sense of "Victor Hugo," not being confused with "Antoine Chrysostome
Quatremare de Quincy"
nor the "Comte de Volney" leading a band of amateur archaeologists to the site
of the Arenes de Lutece (sic)
to under cover of night find a suitable place of omens for their
Anti-Haussmannian rituals in the name of
"The Color of Space," or as it is also not known, by the phrase:
"When the stars are right", R'lyeh will rise from the sea, nevermore to sink
again, and Cthulhu will awaken and revel
across the world, "ravening for delight".
or see:
Chasing the Perfect
http://www.artbook.com/1933045213.html
