this is wonderfull; i love benadette mayer and now you
too
and don't know where to start crying & kissing your
poem.

and allan's question:
what is it  that they carry, that  speaks
be nice to know the answer, or at least where to look.
george spencer 

--- Sheila Murphy <[EMAIL PROTECTED]> wrote:

> If you could know how welcome your feedback is, Alan
> . . . well, I guess you do! Thank you very much.
> Bless you, Sheila
> 
> Alan Sondheim <[EMAIL PROTECTED]> wrote:  This is
> absolutely brilliant; I have no idea of the
> circumstances it was 
> written within/under, but pain often brings the
> strongest work (I've felt 
> that for example re: Bernadette Mayer and for that
> matter Paul Chamberland 
> - if you remember him at all - for a long time).
> Anti-colonialist, anti- 
> war writings, writings of the oppressed - what is it
> that they carry, that 
> speaks - not only in terms of psychology and
> empathy, but also the 
> language itself, urgency?
> 
> - Alan, musing
> 
> 
> On Thu, 21 Sep 2006, Sheila Murphy wrote:
> 
> > Big full-of-the-love heart b(ull)rushes up against
> the bully heart and then what?
> > Coaches on the side past, present and to come
> exclaim beatitudes on steroids, trying to get a
> rise, it's called, out of the hurt heart.
> > "Tell her to _____ (let's call it "collapse")
> herself."
> > "Tell her to off herself."
> > "Tell her she couldn't become interesting if she
> had every morself of her routine body replaced."
> > "Tell her she will always be a drudge machine
> nobody loves."
> >
> > Big full-of-the-hurt heart disappoints the coaches
> > and drowns pills for years instead.
> > Big full-of-fatigue heart turns drip-dry with
> sadness in the sun.
> > Big full-of-admiration heart seeks to age kindly
> without kiss thirst,
> > while out on the the surrounding lawn it always
> rains sans prompt,
> > and roller-coaster thought continues making marks
> on the experiential sky.
> > Big full-of-self-infliced-hurt heart fevers into
> sleep.
> >
> > Big full-of-the-insanity-clause heart decides it's
> never easy not to die,
> > Having once died, and come back as a saint.
> > Big full-of-the-acclaimed heart offers crisis as
> proof of breath.
> > Big full heart finds a light to watch and watches.
> > Big heart tries to self sustain where there are
> other hearts.
> > Big heart pieces together versions of the recent
> history as if to make it early.
> > Big heart ceases to be large enough, as as to
> wedge into the tiny size allowed by its untenable
> surroundings.
> >
> >
> > sheila e. murphy
> >
> 
> blog at http://nikuko.blogspot.com - for URLs, DVDs,
> CDs, books/etc. see
> http://www.asondheim.org/advert.txt - contact
> [EMAIL PROTECTED], -
> general directory of work: http://www.asondheim.org
> Trace at: http://tracearchive.ntu.ac.uk - search
> "Alan Sondheim"
> http://clc.as.wvu.edu:8080/clc/Members/sondheim
> 
> 

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