I was introduced to Bergman as a freshman in college
and have spent all the years since wondering how this
guy managed to light Liv Ullmann to create the
impression that a soft light was coming from inside
her head. When I read aphasia, I can’t help but
remember Baudelaire, mind still active in a body that
would not move, ears probably working but with no
voice. I imagine another film. It is set in a nursing
home. It is beautiful and sad and seems haunted by the
absence of the protagonist. We are seeing through his
eyes and what we are seeing on the screen creates the
absence of a voice. The images mean more to us than we
can explain and this more than we can explain is the
space haunted by that lost voice. We see but cannot
say. We see but cannot say. 
TMike  
 


--- Halvard Johnson <[EMAIL PROTECTED]> wrote:

> RIP
> 
>
http://www.nytimes.com/2006/09/21/movies/21nykvist.html?
> 
>
ex=1316491200&en=0b62693ac5ef94da&ei=5088&partner=rssnyt&emc=rss
> 
> 
> "Colorless green ideas sleep furiously."
>                 --Noam Chomsky
> 
> Halvard Johnson
> ================
> [EMAIL PROTECTED]
> [EMAIL PROTECTED]
> http://home.earthlink.net/~halvard
> http://entropyandme.blogspot.com
> http://imageswithoutwords.blogspot.com
> http://www.hamiltonstone.org
> 
> 


“In so far as literature turns back on itself and examines parodies or treats 
ironically its own signifying procedures, it becomes the most complex account 
of signification we possess.” – John Deely

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