I read my spam and want to respond, to correspond with my spammers. Some recent 
spam in my inbox: "others which him to the; ins And was great big siege. (our 
discipline that portion of the edges of the regent Terminus and was large and 
his accent; views on the Terminus, is day be seized on the Foundation, men, 
said, Gorov was not softened. No in a strange occupation psychologists iron 
cudgel he thought so did not the man." My email client filters out html and 
images, leaving only these cryptic writings. They are encoded but no decryption 
is possible. I find them wonderful, and read them as poetics, as odd fragments 
of narratives and scenes. I find the process of their production wonderful as 
well. The texts are written to elude community standards and means of 
censorship, and at the same time to enter and impose themselves into the 
reading of the community. Spam text attempts to make itself equal to a constant 
murmur and flow of communication that we all receive, an imaginar!
 y and unwritten writing emission. Transmitted only because it breaks its own 
transmission, produced only because it collapses its own production, the spam 
purposely enters into a pre-broken domain of smeared text. Messages like this 
come to each of us. We are all recipients. The messages are specifically 
composed to elude Bayesian spam filtering techniques common to many browsers 
and email systems. Spammers copy the passages from online texts to increase the 
overall improbability of the writing in the email. The added passages shift the 
probability of the overall message away from the probability that it is spam. 
In comparison, strict keyword filters flag email because it contains certain 
words. A filter may tag the word “penis,” for example, but I may want to send 
email with the word “penis” or the phrase “refinance your mortgage.” Moreover, 
simple substitutions (such as “p3n1s”) elude keyword filters. The use of 
Bayesian filters, a statistical method dating back to the 18!
 th Century, measure the conditional probability that an email !
 text is 
spam. The Bayesian filter evaluates email text in relation to the probability 
of the text occurring in any email, and against the probability that any email 
is spam. Is a word or phrase probably spam in general? Secondly, is it probably 
spam within the semantic domain under consideration? A Bayesian filters must be 
“trained” in the probabilities of a given system, a user noting which writing 
is spam and which is not, the filter gradually “learning” whether I frequently 
use the word “Viagra” in my email, and so on. Over time, the spam probability 
of a given text is computed in relation to all text. Writing that exceeds the 
spam probability threshold is filtered out. As a result, all text is possible 
spam and all text is possible communication, all text is an amalgam of spam and 
communication. The intention of a text, one directed to me and that I desire to 
read, is always partially spam. The political economy underlying spam renders 
text as product, my reading of the spam as !
 a surface and interface to consumption. In this sense, spam is a perfect model 
of the communication circuit, of the message received. Yet the spammers who 
write to me insert these passages to displace the overall probability of the 
message, to create noise in their own text that disturbs its identification as 
spam. Oddly but wonderfully, spam texts become a writing that tends towards the 
singular and unfinished. The passages are often from literary texts, often 
mined from Project Gutenberg and other free sources. More than this: the spam 
tends towards the literary. To bypass the trained Bayesian filter, spam must 
singularize itself, must render itself improbable in any written environment. 
Spamming is a poetics of transitive writing, a writing tending towards its own 
erasure and silencing as communication, and towards its own erasure as spam. 
Yet, this also means the writing is super-spam. To escape the filters, spam is 
written towards the singular and imagined other. I rea!
 d my spam and want to respond because of the otherness of a co!
 mmunicat
ion that is written to me, singularly to me beyond every possible statistical 
measure. I receive the text and open it, and it is meant for me: "was the air 
lock his eyes, of your a piece of was the Foundation. watch and is Half credit 
coin gold one, thing, after you.  But lack of."

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