Counterpunch.png

 

 

Dieudonné M’Bala M’Bala

 

Bête Noire of the French Establishment

 

 

Last Sunday, a famous football player of Afro-Belgian origin, Nicolas
Anelka, who plays [for West Bromwich Albion] in the UK, made a “quenelle”
sign after scoring a goal – in solidarity with this friend Dieudonné M’Bala
M’Bala. With this simple and basically insignificant gesture, the uproar
soared to new heights.

 

 

Diana Johnstone, Paris, in Counterpunch, USA, 1 January 2014 

 

French mainstream media and politicians are starting off the New Year with a
shared resolution for 2014: permanently muzzle a Franco-African comedian who
is getting to be too popular among young people.

 

In between Christmas and New Year’s Eve, no less than the President of the
Republic, François Hollande, while visiting Saudi Arabia on (very big)
business, said his government must find a way to ban performances by the
comedian Dieudonné M’Bala M’Bala, as called for by French Interior Minister,
Manuel Valls.

 

The leader of the conservative opposition party, UMP, Jean-François Copé,
immediately chimed in with his “total support” for silencing the
unmanageable entertainer.

 

In the unanimous media chorus, the weekly Nouvel Observateur editorialized
that Dieudonné is “already dead”, washed up, finished. Editors publicly
disputed whether it was a better tactic to try to jail him for “incitement
to racial hatred”, close his shows on grounds of a potential “threat to
public order”, or put pressure on municipalities by threatening cultural
subsidies with cuts if they allow him to perform.

 

The goal of national police boss Manuel Valls is clear, but the powers that
be are groping for the method.

 

The dismissive cliché heard repeatedly is that “nobody laughs at Dieudonné
any more”.

 

In reality, the opposite is true. And that is the problem. On his recent
tour of French cities, videos show large, packed theaters roaring with
laughter at their favorite humorist.  He has popularized a simple gesture,
which he calls the “quenelle”. It is being imitated by young people all over
France.  It simply and obviously means, we are fed up.

 

To invent a pretext for destroying Dieudonné, the leading Jewish
organizations CRIF (Conseil Représentatif des Institutions Juives de France,
the French AIPAC) and LICRA (Ligue internationale contre le racisme et
l’antisémitisme, which enjoys special privileges under French law) have come
up with a fantasy to brand Dieudonné and his followers as “Nazis”.  The
quenelle is all too obviously a vulgar gesture roughly meaning “up yours”,
with one hand placed at the top of the other arm pointing down to signify
“how far up” this is to be.

 

But for the CRIF and LICRA, the quenelle is “a Nazi salute in reverse”.
(You can never be too “vigilant” when looking for the hidden Hitler.)

 

As someone has remarked, a “Nazi salute in reverse” might as well be
considered anti-Nazi.  If indeed it had anything to do with Heil Hitler.
Which it clearly does not.

 

But world media are taking up this claim, at least pointing out that “some
consider the quenelle to be a Nazi salute in reverse”.  Never mind that
those who use it have no doubt about what it means:  F— the system!

 

But to what extent are the CRIF and LICRA “the system”?

 

France needs all the laughter it can get

 

French industry is vanishing, with factory shutdowns week after week.  Taxes
on low income citizens are going up, to save the banks and the euro.
Disillusion with the European Union is growing.  EU rules exclude any
serious effort to improve the French economy. Meanwhile, politicians on the
left and the right continue their empty speeches, full of clichés about
“human rights” – largely as an excuse to go to war in the Middle East or
rant against China and Russia. The approval rating of President Hollande has
sunk to 15%.  However people vote, they get the same policies, made in EU.

 

Why then are the ruling politicians focusing their wrath on “the most
talented humorist of his generation” (as his colleagues acknowledge, even
when denouncing him)?

 

The short answer is probably that Dieudonné’s surging popularity among young
people illustrates a growing generation gap.  Dieudonné has turned laughter
against the entire political establishment.  This has led to a torrent of
abuse and vows to shut down his shows, ruin him financially and even put him
in jail.  The abuse also provides a setting for physical attacks against
him.  A few days ago, his assistant Jacky Sigaux was physically attacked in
broad daylight by several masked men in front of the city hall of the 19th
arrondissement – just opposite the Buttes Chaumont Park. He has lodged a
complaint.

 

But how much protection is to be expected from a government whose Interior
Minister, Manuel Valls – in charge of police – has vowed to seek ways to
silence Dieudonné?

 

The story is significant but is almost certain to be badly reported outside
France – just as it is badly reported inside France, the source of almost
all foreign reports.  In translation, a bit of garbling and falsehoods add
to the confusion.

 

Why Do They Hate Him?

 

Dieudonné M’Bala M’Bala was born in a Paris suburb nearly 48 years ago. His
mother was white, from Brittany, his father was African, from Cameroun.
This should make him a poster child for the “multiculturalism” the
ideologically dominant left claims to promote.  And during the first part of
his career, teaming up with his Jewish friend, Elie Simoun, he was just
that: campaigning against racism, focusing his criticism on the National
Front and even running for office against an NF candidate in the dormitory
town of Dreux, some sixty miles West of Paris, where he lives. Like the best
humorists, Dieudonné always targeted current events, with a warmth and
dignity unusual in the profession. His career flourished, he played in
movies, was a guest on television, branched out on his own.  A great
observer, he excels at relatively subtle imitations of various personality
types and ethnic groups from Africans to Chinese.

 

Ten years ago, on December 1, 2003, as guest on a TV show appropriately
called “You Can’t Please Everybody”, dedicated to current events, Dieudonné
came on stage roughly disguised as “a convert to Zionist extremism” advising
others to get ahead by “joining the American-Israeli Axis of Good”. This was
in the first year of the US assault on Iraq, which France’s refusal to join
had led Washington to rechristen what it calls “French fries” (Belgian,
actually) as “Freedom fries”.  A relatively mild attack on George W. Bush’s
“Axis of Evil” seemed totally in the mood of the times. The sketch ended
with a brief salute, “Isra-heil”.  This was far from being vintage
Dieudonné, but nevertheless, the popular humorist was at the time
enthusiastically embraced by other performers while the studio audience gave
him a standing ovation.

 

Then the protests started coming in, especially concerning the final gesture
seen as likening Israel to Nazi Germany.

 

“Anti-Semitism!” was the cry, although the target was Israel (and the United
States as allies in the Middle East). Calls multiplied to ban his shows, to
sue him, to destroy his career.  Dieudonné attempted to justify his sketch
as not targeting Jews as such, but, unlike others before him, would not
apologize for an offense he did not believe he had committed.  Why no
protests from Africans he had made fun of? Or Muslims? Or Chinese? Why
should a single community react with such fury?

 

Thus began a decade of escalation.  LICRA began a long series of lawsuits
against him (“incitement to racial hatred”), at first losing, but keeping up
the pressure.  Instead of backing down, Dieudonné went farther in his
criticism of “Zionism” after each attack.  Meanwhile, Dieudonné was
gradually excluded from television appearances and treated as a pariah by
mainstream media.  It is only the recent internet profusion of images
showing young people making the quenelle sign that has moved the
establishment to conclude that a direct attack would be more effective than
trying to ignore him.

 

The Ideological Background

 

To begin to understand the meaning of the Dieudonné affair, it is necessary
to grasp the ideological context.  For reasons too complex to review here,
the French left – the left that once was primarily concerned with the
welfare of the working class, with social equality, opposition to aggressive
war, freedom of speech – has virtually collapsed.  The right has won the
decisive economic battle, with the triumph of policies favoring monetary
stability and the interests of international investment capital
(“neo-liberalism”).  As a consolation prize, the left enjoys a certain
ideological dominance, based on anti-racism, anti-nationalism and devotion
to the European Union – even to the hypothetical “social Europe” that daily
recedes into the cemetery of lost dreams. In fact, this ideology fits
perfectly with a globalization geared to the requirements of international
finance capital.

 

In the absence of any serious socio-economic left, France has sunk into a
sort of “Identity Politics”, which both praises multiculturalism and reacts
vehemently against “communitarianism”, that is, the assertion of any
unwelcome ethnic particularisms. But some ethnic particularisms are less
welcome than others.  The Muslim veil was first banned in schools, and
demands to ban it in adult society grow.  The naqib and burka, while rare,
have been legally banned. Disputes erupt over Halal foods in cafeterias,
prayers in the street, while cartoons regularly lampoon Islam. Whatever one
may think of this, the fight against communitarianism can be seen by some as
directed against one particular community. Meanwhile, French leaders have
been leading the cry for wars in Muslim countries from Libya to Syria...

 

 

From:
http://www.counterpunch.org/2014/01/01/the-bete-noire-of-the-french-establis
hment/

 

 

 

-- 
-- 
You are subscribed. This footer can help you.
Please POST your comments to [email protected] or reply to this 
message.
You can visit the group WEB SITE at 
http://groups.google.com/group/yclsa-eom-forum for different delivery options, 
pages, files and membership.
To UNSUBSCRIBE, please email [email protected] . You 
don't have to put anything in the "Subject:" field. You don't have to put 
anything in the message part. All you have to do is to send an e-mail to this 
address (repeat): [email protected] .

--- 
You received this message because you are subscribed to the Google Groups 
"YCLSA Discussion Forum" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to [email protected].
For more options, visit https://groups.google.com/groups/opt_out.

<<image002.png>>

Reply via email to