Hollywood uses 'American Sniper' to destroy history and create myth

 

 

John Wight, in RT, Moscow, 23 January 2015

 

The moral depravity into which the US is sinking is shown by American Sniper
glorifying the exploits of a racist killer receiving six Oscar nominations,
whereas 'Selma' depicting Martin Luther King's struggle against racism has
been largely ignored.

 

American Sniper is directed by Clint Eastwood, and tells the story of Chris
Kyle, a US Navy Seal who served four tours of duty in Iraq as a sniper
credited with 160 confirmed "kills", and earning him the dubious honor of
being lauded the most lethal sniper in US military history.

 

Played by Bradley Cooper, in the movie Kyle is an all-American hero, a Texas
cowboy who joins the military out of a sense of patriotism and a yearning
for purpose and direction in his life. Throughout the 'uber-tough' selection
process, Kyle is a bastion of stoicism and determination, willing to bear
any amount of pain and hardship for the honor of being able to serve his
country as a Navy Seal - America's equivalent of the Samurai.

 

The personal struggle he endures as a result of what he experiences and does
in Iraq is not motivated by any regrets over the people he kills, including
women and children, but on his failure to kill more and thereby save the
lives of American soldiers as they go about the business of tearing the
country apart, city by city, block by block, and house by house.

 

If American Sniper wins one Oscar, never mind the six it's been nominated
for, when this annual extravaganza of movie pomp and ceremony unfolds in
Hollywood on February 22, it will not only represent an endorsement of US
exceptionalism, but worse it will be an insult to the Iraqi people. In the
movie they are depicted as a dehumanized mass of savages - occupying the
same role as the Indians in John Wayne Western movies of old - responsible
for their own suffering and the devastation of their country, which the
white man is in the process of civilizing.

 

Anything resembling balance and perspective is sacrificed in American Sniper
to the more pressing needs of US propaganda, which holds that the guys who
served in Iraq were the very best of America, men who went through hell in
order to protect the freedoms and way of life of their fellow countrymen at
home. It is the cult of the soldier writ large, men who in the words of Kyle
(Bradley Cooper) in the movie "just want to get the bad guys."

 

The "bad guys" are, as mentioned, the Iraqis. In fact if you had just
arrived in the movie theatre from another planet, you would be left in no
doubt from the movie's opening scene that Iraq had invaded and occupied
America rather than the other way round.

 

Unsurprisingly, the real Chris Kyle was not as depicted by Clint Eastwood
and played by Bradley Cooper. In his autobiography, upon which the movie is
supposedly based, Kyle writes, "I hate the damn savages. I couldn't give a
flying f**k about the Iraqis."

 

It is clear that the movie's director, Clint Eastwood, when faced with the
choice between depicting the truth and the myth, decided to go with the
myth.

 

But it should come as no surprise, given that the peddling of such myths is
the very currency of Hollywood. Over many decades the US movie industry has
proved itself one of the most potent weapons in the armory of US
imperialism, helping to project a myth of an America, defined by lofty
attributes of courage, freedom, and democracy.

 

As the myth has it, these values, and with them America itself, are
continually under threat from the forces of evil and darkness that lurk
outwith and often times within. The mountain of lies told in service to this
myth has only been exceeded by the mountain of dead bodies on the basis of
it - victims of the carnage and mayhem unleashed around the world by
Washington.

 

Chris Kyle was not the warrior or hero portrayed in American Sniper. He was
in fact a racist killer for whom the only good Iraqi was a dead Iraqi. He
killed men, women, and children, just as his comrades did during the course
of a brutal and barbaric war of aggression waged by the richest country in
the world against one of the poorest.

 

They say that patriotism is the last refuge of the scoundrel. In the hands
of a movie director with millions of dollars and the backing of a movie
studio at its disposal, it is far more dangerous than that. It is a potent
weapon deployed against its victims, denying them their right to even be
considered victims, exalting in the process, when it comes to Hollywood,
those who murder and massacre in the name of America.

 

With this in mind, it is perhaps fitting that Chris Kyle was shot and killed
by a former Marine at a shooting range in Texas in 2013. "Man was born into
barbarism," Martin Luther King said, "when killing his fellow man was a
normal condition of existence."

 

From: http://rt.com/op-edge/224507-american-sniper-movie-usa/

 

 

 

 

 

 

 

 

 

 

 

 

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