unfortunately this is only free to college instructors.  i have been very
fortunate to find many books of high
quality on ebay with free shipping.  You always find very interesting works
to read, thank you so much

M


On Tue, Jul 30, 2013 at 11:13 PM, Merle Lester <[email protected]>wrote:

>
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>
>
>
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>     *NEWLY AVAILABLE!
> THE DREAM OF CULTURE: Essays on Culture’s Elusiveness
> By Howard F. Stein
>
> *
> *COLLEGE INSTRUCTORS may receive a free copy of this exciting,
> groundbreaking book. **Simply respond to this email indicating you will
> request that your library order a copy.*
>               *[image: Developmental Time, Cultural 
> Space]<http://www.benchmarkemail.com/c/l?u=28C0C05&e=320495&c=4BF35&t=0&l=4E9ADE8&email=ixXm0ij%2BbPTN6%2BIQ4YtZ3gUPiXYo5miE>
> *
> *Pages:  *440 pages*
> Publisher:
>   *Library of Social Science/Psyche 
> Press<http://www.benchmarkemail.com/c/l?u=28C0C06&e=320495&c=4BF35&t=0&l=4E9ADE8&email=ixXm0ij%2BbPTN6%2BIQ4YtZ3gUPiXYo5miE>
> *
> Author:
>   *Howard F. Stein*
> Paperback:
> *  List Price $39.99
>   ISBN: 1885809034
> *Hardcover:
> *  List Price $59.95
>   ISBN: 1885809026*
> *
>   *For information on purchasing this book through Amazon at a special,
> discount rate, click 
> here.*<http://www.benchmarkemail.com/c/l?u=28C0C05&e=320495&c=4BF35&t=0&l=4E9ADE8&email=ixXm0ij%2BbPTN6%2BIQ4YtZ3gUPiXYo5miE>
>   *We want as many people as possible to read this exciting,
> groundbreaking book. Therefore, we are offering a free copy to college
> instructors if you will simply ask your library to order a copy. Please
> respond to this email—write to [email protected]—providing
> your name and the name of your college or university. We will send you a free
> electronic copy of the entire book (identical to the physical copy,
> including the front & back cover).*
> "Howard Stein has one of the finest minds engaged in the study of culture
> in our time. He has the capacity to see straight through to the meaning of
> things, and to understand it and express it with precision—a quality people
> used to refer to as genius. This wide ranging book is a feast."
> *  —Howard S. Schwartz, Oakland University, author of * *Narcissistic
> Process and Corporate Decay*
> "Howard Stein is one of the world’s most original thinkers in the human
> sciences."
> *  —Robert Endleman, Ph.D., author of * *Psyche and Society*
> ------------------------------
>   *About the Author:* Howard F. Stein is Professor at the University of
> Oklahoma Health Sciences Center, Department of Family and Preventive
> Medicine. He is the author of 26 books and over 250 published papers and
> chapters.
> *Morpheus introduces The Matrix to Neo: "You’ve felt your entire life
> that there’s something wrong with the world. You don’t know what it is, but
> it’s there, like a splinter in your mind, driving you mad."*
> *Don’t many of us have a similar feeling each day as we witness a
> strange, bizarre world presented to us as "reality"? Is it sufficient to
> "critique" this world? Perhaps more radical inquiry is called for.*
> *In The Dream of Culture, renowned anthropologist Howard Stein
> interrogates the shared fantasy in which we are immersed: the dream we call
> reality.*
> *We urge you to read this exciting, groundbreaking book.*
>   *Culture as a Dream*
> This book attempts to unravel a paradox: namely, that human beings, for
> most of our lives, and human culture, for most of its history, strive to
> keep emotionally and intellectually asleep while priding ourselves on being
> wide awake. Just as the work of dreaming is to safeguard sleep, much of the
> work of culture is likewise to keep us from thinking, feeling, or knowing
> too much during waking hours.
>
> Much of culture is not "like" dreaming, in the sense of poetic license’s
> love of fantastic simile. Nor is it mere analogy. It is day’s counterpart
> to night. In culture, ours is the tragic conceit to dream that we are not
> dreaming and to make wakefulness the most heinous sin. Dreaming together is
> our sensing together—consensus—in cultural groups. Culture is our dreaming
> while we are wide awake.
> The work of culture is also the work of dreams. "Reality" is far more
> elusive than we dare admit. We weave our tenuous net over anxiety’s abyss
> with the substance of dreaming. To say this is not to stretch some metaphor
> or take literary license. People in groups, awake, do with their shared
> symbolic and ritual materials, their technology and their environment what
> we each do while asleep: wish what we may dare and disguise our wishes;
> contrive our forbidden victories and stage our defeats; attempt to master
> what we have found overwhelming.
> If night dreaming takes place on a screen upon which are projected our
> unconscious wishes, fantasies, and feelings, our day dreaming is
> constructed and projected upon a screen we objectify and call "culture" or
> "society." We project these "hopes and fears of all the years"—as the
> tender Christmas carol, "O Little Town of Bethlehem" so yearningly
> sings—upon and into the social symbols and institutions of politics,
> religion, law, cosmology, economics, and so on.
> *Culture as a Symbolic Object*
> We construe culture as an independent, self-standing entity beyond
> ourselves—a symbolic object to which we imagine we belong. We transfer
> feelings from our earliest mothering figures, families and memories to
> groups—in which we try to capture safety and security—to make us again feel
> at one with our parental nurturers and protectors.
> In "culture shock" and "future shock," the loss of culture—which
> represents a catastrophic crisis of identity—is experienced as object-loss.
> Culture (or group) is represented as a fantasized maternal object with
> which tribalists feel themselves to be inextricably tied and upon which
> they feel themselves to be wholly dependent.
>   *We want as many people as possible to read this exciting,
> groundbreaking book. Therefore, we are offering a free copy to college
> instructors if you will simply ask your library to order a copy. Please
> respond to this email—write to [email protected]—providing
> your name and the name of your college or university. We will send you a free
> electronic copy of the entire book (identical to the physical copy,
> including the front & back cover).*
> Culture is experienced as a "dual unity" whose "body" the tribalist does
> not distinguish from his/her very selfhood. It is little wonder that
> tribalists and anthropologists alike commit the fallacy of misplaced
> concreteness in their conceptualizations of culture: one truly experiences
> his/her group to be "superorganic"—transcending the self yet part of the
> (symbiotic) self.
> In this formulation, loss of culture is the fantasized loss of an
> environment that mirrors and embodies the "goodness" upon which one
> depends. "Culture"—experienced as an entity—is one member of a class of 
> *symbolic
> objects *whose psychic function is to represent and perpetuate object
> relations that have been disrupted by death or other forms of loss. The
> subject of culture shock is the experience of estrangement from—loss and
> "death" of—culture, *as though *it were an object, or object
> representation.
> *Culture as Shared Fantasy*
> How may we account for these collective representations that give rise to
> various forms of reality? Richard Koenigsberg suggests that cultural ideas,
> beliefs and values may be viewed as an "institutionalization and social
> embodiment of primal human phantasies." He proposes that we carefully comb
> the cultural texts for primary process imagery embedded in official
> culture, for those parapraxes and metaphors that make their incursion into
> ordinary language. For instance, in his content analysis of Hitler's
> ideology as expressed in published works, speeches, and secret writings,
> Koenigsberg states as his methodological premise that "the frequency with
> which a given idea or association appears reflects the centrality of such
> an element within the framework of [the] belief system."
> *Culture as Projection*
> In *The Ego and the Id,* Freud wrote: "The ego is first and foremost a
> bodily ego; it is not merely a surface entity, but is itself the projection
> of a surface." Extending this formulation, I argue that just as the ego
> uses the body as a battlefield upon which to play out, displace, and
> project dangers and wishes too great to incorporate into itself, the ego
> likewise uses society and nature as a surface upon which to project and
> represent itself. In *Life against Death*, Norman O. Brown wrote that
> "Human culture is a set of projections of the repressed unconscious. Like
> the transference, human culture exists in order to project the infantile
> complexes onto concrete reality, where they can be seen and mastered."
>   *We want as many people as possible to read this exciting,
> groundbreaking book. Therefore, we are offering a free copy to college
> instructors if you will simply ask your library to order a copy. Please
> respond to this email—write to [email protected]—providing
> your name and the name of your college or university. We will send you a free
> electronic copy of the entire book (identical to the physical copy,
> including the front & back cover).*
>   * The Dream of Culture*: * Essays on Culture’s Elusiveness
>
> Table of Contents *
>
>   *We want as many people as possible to read this exciting,
> groundbreaking book. Therefore, we are offering a free copy to college
> instructors if you will simply ask your library to order a copy. Please
> respond to this email—write to [email protected]—providing
> your name and the name of your college or university. We will send you a free
> electronic copy of the entire book (identical to the physical copy,
> including the front & back cover).*
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