Laughter in the House of Pain

  By Mario Osava
  Inter Press Service | Date not given
  http://www.ipsnews.net/news.asp?idnews=30960

RIO DE JANEIRO, Nov (IPS) - The Brazilian documentary "Doutores da
alegría" (Doctors of Happiness) won prizes at two international
festivals this year, as a tribute to its special mission - to share
the experience of a group of Brazilian actors who decided to dress up
as clowns and bring joy to children in hospitals rather than at the
circus.

The moving 96-minute film switches back and forth between interviews
with members of the group and scenes of their performances in front of
audiences of sick children, their families and hospital workers,
showing the fun and laughter brought by the clowns to settings marked
by pain, loss and suffering.

Mara Mourao, the director and screenwriter, provides an unadorned,
straightforward vision of children facing terminal illnesses,
connected to myriad tubes and wires. The film crew also made an effort
to blend in by dressing up as clowns, so as not to create an
artificial disturbance in the hospital rooms.

The performing arts organisation "Doutores da alegría" was founded in
1991 with the aim of using laughter as a healing medicine for
chronically ill children in Brazil.

The group's founder, former English teacher Wellington Nogueira from
the southern Brazilian city of Sao Paulo, emigrated to the United
States two decades ago, to set out on an acting career.

A few years later he came across the work of Michael Christensen,
director of the Big Apple Circus in New York, who trained and
organised actors to bring joy and laughter into hospitals. Nogueira
joined the group, overcoming his reluctance to working as a clown, an
artistic tradition he had previously looked down upon.

In 1990, Nogueira returned to Sao Paulo to visit his father who was
seriously ill. From his hospital bed Nogueira's father, proud of his
son's talent, made him promise to give a performance for his fellow
patients.

That night his father went into coma due to a brain haemorrhage. In
the film, Nogueira himself tells how while he was putting on his
make-up, he asked God to "set down to his father's account" the
charitable act that he (Nogueira) was about to perform, in new
surroundings and without adequate preparation.

His father awoke from the coma a few moments later, and Nogueira
became convinced that it was his mission to bring to Brazil the
experience he had gained in New York. So he founded "Doutores da
alegria", a non- governmental organisation funded by sponsors, which
met with success and expanded rapidly.

At present, 37 actors bring humour and joy to a dozen hospitals in Sao
Paulo, Rio de Janeiro and Recife (in northeastern Brazil). More than
350,000 patients have enjoyed their compassionate, funny performances;
many of them are boys and girls with cancer and other incurable illnesses.

Usually the performances involve two clowns, with an audience made up
of a patient and his or her caregiver. Sometimes, however, a larger
group performs,spreading laughter among several patients and nurses,
or even a whole hospital wing.

Christensen's ground-breaking work should not be confused with that of
the U.S. doctor whose story is told in the film "Patch Adams",
directed by Tom Shadyac and starring Robin Williams.

Adams was a doctor who became a clown because he believed in the
therapeutic value of laughter, while "Doutores da alegría" are clowns
who dress up as doctors, Nogueira points out.

Twenty other actors besides the founder emphasise their discovery of
"the social function of art" through having joined the group. They
also discovered the special nature of the art of clowning, and the
need for absolute sincerity and honesty in their performances, which
are characterised by improvisation and constant interaction with their
spectators.

A psychologist, Morgana Masetti, was brought into the group initially
to help the actors deal with the emotional impact of the tragic
situations they came face to face with in their work. Her involvement
then led to deeper reflections about the role played by the "doctors"
and their reasons for engaging in this activity.

Out of this experience emerged a book, SOLUÇÕES DE PALHAÇOS:
Transformações na realidade hospitalar" (Clown Solutions:
Transformations in Hospital Reality), and a research and development
centre that provides consultancy services to the many researchers who
are investigating what they term "clowning". "We are specialists in
foolishness," says Nogueira.

Film-maker Mourao also fell under the spell of the "doctors'" mission:
she married Nogueira, and from the very start she wanted to make a
film of their experience, although she feared she might not faithfully
capture the spirit of "generosity" and "dignity" in their work.

Mourao had previously directed two full-length fiction movies, both of
which were light comedies. One of them, "Avassaladoras", received poor
reviews.

Her latest film, which is now showing in commercial cinemas in Sao
Paulo, where screening began in early October, and in Rio de Janeiro,
has fared better.

Although it took 130 hours to shoot "Doutores da alegría", which was
finally ready after 11 months of editing, it was well worth the effort.

The documentary won this year's prize for best film at the Brazilian
Film Festival in New York, and two special mentions - from the jury
and from the audience - at the International Film Festival of Gramado,
a city in southern Brazil, in August. It is also a regional
semi-finalist in the documentary category for the 2005 International
Emmy Awards. (END/2005) 







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