Pilgrims at heart 

By Ebrahim Moosa, The New York Times, January 10, 2006

http://www.iht.com/articles/2006/01/10/opinion/edhajj.php  

DURHAM, North Carolina As the pilgrims in Mecca complete the annual 
ritual of pilgrimage on Tuesday, Muslims across the globe begin the 
Id al-Adha, the three-day Feast of Sacrifice, in solidarity with 
them. For Muslims seeking to make sense of the annual pilgrimage, a 
question arises: Is the hajj only an elaborate ritual?  Hajj 
literally means, "to continuously strive to reach one's goal." The 
rite of visiting the sacred sites need be completed only once in a 
lifetime, but its meaning ought to be enduring. Yet, no pilgrim can 
claim strictly to imitate the Prophet Muhammad in this ritual. Such 
despotic literalness would only invest the observance with 
fraudulence. Is the imagination not at the heart of pilgrimage?  The 
Arabic literary figure and philosopher Abu Hayyan al-Tawhidi, who 
died in 1023, mused about what the pilgrimage might have meant for 
those who could not make it to Mecca. Sadly, we can now only mourn 
the lost text of Tawhidi, but there is more than a hint in his 
title: "Undertaking the Mental Pilgrimage When the Physical 
Pilgrimage Is Impossible."  Exile, sacrifice and atonement 
underscore the commandment of pilgrimage in Muslim religious life. 
The faithful re-enact the pilgrimage rituals in imitation of their 
spiritual forbears. They relive exile by treading in the footsteps 
of Abraham.  But the hajj also recalls the temporary exile of Adam 
and Eve, who wandered the earth after their expulsion from paradise. 
According to Muslim tradition, Adam and Eve were reconciled with God 
in the desert of Arabia. The spot where they met each other again 
and atoned - an obligatory destination for pilgrims - is called 
Arafat, from the Arabic word "to know."  The theme of knowing and 
imagining the divine is embroidered through the trials of Abraham 
and his family. After Abraham's first child, Ishmael, was born to 
his slave wife Hagar, he was confronted by the jealousy of his other 
wife, Sarah, who was then childless. God upgraded this domestic 
squabble into a legacy issue for the Patriarch and his admirers. But 
he ordered the dutiful Abraham to banish Hagar and Ishmael to 
Arabia.  Years later, Muslim tradition holds, Abraham was reconciled 
with Hagar and Ishmael. But more trials awaited. This time Abraham 
had to do the unthinkable: sacrifice his son. Mainstream Muslim 
tradition believes that the son in question was Ishmael, while a 
minority view holds that it was Isaac, Sarah's son. But after a 
miraculous substitution of Ishmael (or Isaac) by a ram, Abraham's 
reputation was sealed as the "friend of God."  To express their 
loathing of evil, pilgrims participate in that ancient drama of 
Abraham and Ishmael. They first stone three pillars, each 
symbolizing Satan's failed attempts to mislead Abraham's family. 
Then, in a place called Mina, meaning "desires," each pilgrim 
sacrifices an animal. With this act they seek to replace their 
destructive desires with productive ones. Away from Mecca, non-
pilgrims with means also slaughter animals as a show of hospitality 
to friends, family and the indigent.  Pilgrimage embodies exile by 
requiring seekers to suspend customary routine, enter new 
environments and live by new rhythms and rituals. For a limited 
time, pilgrims experience the transitions and dislocations exiles 
perpetually undergo.  As a performance, the pilgrimage links people 
to a past shared by several Abrahamic traditions - just as, by 
bringing together Muslims from a great multiplicity of cultures, it 
celebrates the diversity of our common humanity. Pilgrims return 
home enriched by this cosmopolitan outlook, but with a new 
appreciation for their own origins.  In the 1980s, the Iranian 
revolution inspired some attempts to use the hajj as a platform to 
express Muslim grievances. But such efforts ended in 1987, when 
Iranian pilgrims clashed with Saudi authorities, resulting in 
carnage and mayhem. The more subtle political significance of the 
hajj, however, persists in the realm of the spiritual imagination. 
To play on the words of the poet Federico GarcĂ­a Lorca: the 
imagination hovers above ritual, the way fragrance hovers over a 
flower.  Pilgrimage ought to fire the imagination and celebrate 
transitions, creativity and innovation. And imagination is a weapon, 
one that tyrants and autocrats fear. If we find it in short supply 
in the corridors of power, that does not mean that the rest of us 
should be deprived of its constructive possibilities as well.  A 
prolific 13th century mystic, Ibn Arabi, wrote that pilgrims were 
mistaken if they believed that swarming like moths around the cube-
like stone centerpiece, the Kaaba in the Holy Mosque, was the 
loftiest act of venerating God. Rather, noted Ibn Arabi, it was the 
human heart that deserved the highest sanctity. For neither the 
offerings made, nor the hardships endured, reaches the divine. It is 
the compass of the heart that counts.  But the supreme gift, Ibn 
Arabi artfully explains, is the imagination radiating from the 
heart. The fulcrum of the pilgrimage is also the essence of life: a 
caring heart fired by the imagination.  For instance, after paying 
homage to the two women Eve and Hagar in the rites of pilgrimage, 
how can some Muslims still violate the rights and dignity of women 
in the name of Islam? Is this not a contradiction? If the pilgrimage 
is done not by rote but with imagination, honor killings become 
unthinkably loathsome.  The truth of the imagination pertains today, 
not just for Tawhidi and Ibn Arabi, but also for all their 
contemporary successors who still believe the imagination to be the 
healing balm for our deeply troubled world.  

(Ebrahim Moosa, a professor of Islamic studies at Duke University, 
is the author of ''Ghazali and the Poetics of Imagination.'')   









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