TWO RECENT POEMS BY JEET THAYIL:

IN THE CITY OF INSOMNIA

There's a parade in the white
streets of the city.  All night

the armoured cars trundle past
the avenue.  Dazed

men and women stand
making circles with their hands,

their smudged
eyes wide

open.  At dawn the silent mayor
arrives, climbs the stair

to your room, takes a moment
to catch his breath and present

you with a key you will wear
round your neck like a star.

SPIDERMAN

Leap tall buildings in a single bound? Forget
you buddy, I
leap years, avenues,
financial/fashion/meatpacking districts, 23
MTA buses parked end to
end. I leap Broadway,
yoyo to
traffic light, to
bus top, to Chrysler, to jet.
You need a mind of sky, of rubber,
to understand moi. You need
silence, cunning. Exhale!
You need to know that everything is metaphor,
that poems sprout
in my hands
like mystic confetti, like
neural string theory.
My brother, Mycroft, is tiny, but a genius,
oh a tiny genius, whose
"art is subtle, a precision of hallucinatory brilliance,"
�  that's serious talk, boy �
he's 'furthermore' and 'however,' I'm
'know what I'm saying?' and 'whatever.'
He is the ghost ant, the one who is not
there, unseen until he stops
moving. I am
companion to owl and peregrine,
emperor of air, and I'm loyal
to you my loyal subject, whose hard-won
pleasure I perform,
and though I'm not rich it takes a lot
of cash to keep me
in the poverty to which
I'm accustomed.

PRESENTATION @ SARAI
Tuesday, March 29, 6:00 pm

'You Are Not Here'
Poetry Reading by Jeet Thayil

Jeet Thayil will perform from his most recent collection, 'English'
(Penguin/Rattapallax, 2004) and a selection of newer poems.

'English', has been widely received as an important and unprecented
signpost  in the history of Indian English poetry. Fusing lyric and
narrative energy in  a drowsy, mongrelized Americanese, alternating
between strict and free forms,  Thayil fashions a voice and persona 
that is only indirectly autobiographical,  half-fiction: addicted to 
opium, shapeshifting, drifting across borders and  stumbling through 
rehab, while the surrounding world teeters perpetually on  the brink 
of apocalypse.  "Ruined still by syntax", the narrator hangs on the  
margins of both America and India because English is his only 
language of  love, his truest inheritance- "English fills my right 
hand, silence my left." Thayil's specialty in these poems is a very 
finely-tuned emotional precision,  played out in an unmistakable 
register that is not crudely bitter or caustic,  never heroic, but 
unconsolably blue, beset by visions.

Jeet Thayil was born in India and educated in Hongkong, New York and
Bombay.  In 1998 he returned to New York where he received an MFA 
from Sarah Lawrence  College and a 2003 poetry award from the New 
York Foundation for the Arts.  His poems have appeared 
in 'Stand', 'Verse', 'Agenda', 'London Magazine', 'The 
Independent', 'Salt Hill' and 'Kaviya Bharati', among many other  
journals. He is an editor with 'Rattapallax' and a contributing 
editor with  'Fulcrum', and is currently based in Bangalore and 
Delhi.

<http://www.rattapallax.com/thayil.htm>










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