For those who haven't read it, here is Lorca's luminous half-poem- half essay 
on the Duende, an essential primer for both the writing and the performance of 
poetry:
http://www.musicpsyche.org/Lorca-Duende.htm
(unfortunately the translator of this particular version is not mentioned.)

A relevant excerpt from the essay below; what is important is his injunction to 
go beyond form.  Lorca is talking about a famous gypsy singer.  But the 
interesting hidden paradox here is that to go beyond form, to get to its 
marrow, one has to first master form, as Lorca did. That is the heart, for me, 
of how to make a real poem: to develop a fluency, and then to go further and 
learn how to fight against, resist one's own fluency, and become vulnerable 
again... 
 
"The "Girl with the Combs" had to mangle her voice because she knew there were 
discriminating folk about who asked not for form, but for the marrow of form - 
pure music spare enough to keep itself in the air.  She had to deny her 
faculties and her security; that is to say, to turn out her Muse and keep 
vulnerable, so that her Duende might come and vouchsafe the hand-to-hand 
struggle.  And then how she sang!"



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