Uploading verse

By Subuhi Jiwani
DNA, September 10, 2005


"You're like an ostrich with its head in the sand, communicating by
wagging its tail," says Mumbai poet Jane Bhandari, describing what it
feels like to write to an on-line group. She is a member of ZESTPoets,
a special interest yahoo group that focuses on writing and discussing
South Asian poetry in English.

Unlike other poetry websites (www.geocities.com/varnamala/ineng.html,
for instance) ZESTPoets is, by definition, interactive. The India
edition of http://poetryinternational.org, edited by Arundhati
Subramaniam, is exhaustive with biographies, news articles and poems,
in English and in translation. But it stops at the known names.

ZESTPoets' members need not be South Asian but the workshop material –
usually unpublished and by unrecognized poets – must be.

"There isn't a community of [Indian] poe! ts that can share work,
receive feedback, and read the work of others, including the
established names," says Shivam Vij, one of the founders of ZESTPoets
and a B.A. student of English Literature at St Stephens College. "A
mailing list doesn't require its members to negotiate city traffic and
reach a place where struggling poets might hang out."

Poetry groups like The Bombay Poetry Circle have, for decades now,
groomed poets and chiseled poems. But cyberspace cuts through prestige
barriers, offering something these groups can never approximate:
anonymity. Nitoo Das, prolific blogger  and online poet who's been
studying on-line poetry communities says, "A lot of people crave the
disguise of screen names. For many online poets, poetry is therapy,
sometimes written as a humiliating secret."

When asked if the internet helps people be more frank —and possibly,
more merciless —she's skeptical. "The initial sense of liberation
wanes after some time and then, you m! ay suddenly become conscious
that the same old paradigms play their part online as they
do offline."

Detractors of online poetry complain that the internet isn't all
'democratising': the web isn't available in India's remote areas. But
for Das "poetry has always been elitist, especially after it became a
part of print culture".

The internet might have altered poetry reading habits but Delhi poet
Vivek Narayanan is wary of this. He says, "The internet can also
foster a kind of haphazard reading of poetry, where people consume
individual poems of varying quality rather than whole collections from
start to finish."

But Das' observation underlines the difference between online poetry
and the printed word. "You don't have to pay for online poetry, most
of the time. So, if someone cannot buy poetry books, he/she can simply
spend ten bucks per hour in an internet café."

The internet, testify many ZEST poets, has ac! tually driven them to
buy collections of poetry, especially after they sampled some on the
website. But it might also tempt them to switch to the ESPN or BBC web
pages. After all, flipping a page in a book only takes you to the
next.

[ ZESTPoets can be found at http://groups.yahoo.com/group/ZESTPoets ]


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You are encouraged to post poetry, respond critically to the poems circulated 
and participate in discussions. To post, email your message to 
[email protected] OR post online at 
http://groups.yahoo.com/group/ZESTPoets/post/

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---theZESTcommunity--------------

[1] ZESTCurrent: http://groups.yahoo.com/group/ZESTCurrent/
[2] ZESTEconomics: http://groups.yahoo.com/group/ZESTEconomics/
[3] ZESTGlobal: http://groups.yahoo.com/group/ZESTGlobal/
[4] ZESTMedia: http://groups.yahoo.com/group/ZESTMedia/
[5] ZESTPoets: http://groups.yahoo.com/group/ZESTPoets/
[6] ZESTCaste: http://groups.yahoo.com/group/ZESTCaste/
[7] ZESTAlternative: http://groups.yahoo.com/group/ZESTAlternative/
[8] TalkZEST: http://groups.yahoo.com/group/TalkZEST/
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