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from:
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<A HREF="http://www.zolatimes.com/V3.20/pageone.html">Laissez Faire City
Times - Volume 3 Issue 20
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Laissez Faire City Times
May 17, 1999 - Volume 3, Issue 20
Editor & Chief: Emile Zola
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I Can't Get No Satisfaction"

The Oral Rage of the Elite

by Robert L. Kocher


In the world of Freudian psychology, there developed the concepts of
oral, anal and similar personalities. Those who are in the arts often
enjoy writing about, or analyzing, novels, artwork, and each other in
terms of anal retentive/expulsive personalities and so forth.

There is a theoretically-based phenomenon, perhaps becoming archaic in
terminology in recent years, called the oral personality in which a
person is fixated upon, or obsessed by, oral stimulation and
gratification. One extension of this is a personality that not only
engages in compulsive, but incompletely satisfying, oral activity, but
as a general condition, seems not to obtain satisfaction in overall
life. The repeated unsuccessful attempts to find satisfaction through
devouring life, not only orally, but in general, can develop to a level
called oral rage. The condition is like much like Mick Jagger of the
Rolling Stones used to complain of in his songs: "I can't get no
satisfaction."

The concept of oral rage may be a little imprecise for suitable
understanding at advanced levels, but it is occasionally useful and
interesting.

There are several aspects of oral rage. One aspect concerns the action
of adrenalin produced by fear and anxiety upon the brain hypothalamic
nuclei that also control eating and drinking behavior. Competent
psychotherapy can intervene in this physiological process. This cannot
be examined in depth here. What will be discussed is a broader concept
of psychological functioning.

Paradoxically, many of the most socially and economically successful
people are the most bitter and tormented. Many of them express their
bitterness in a diffuse attack upon the American social and economic
system to the point of virtually making war on every aspect of American
society. The resentment and antagonistic liberalism of many successful
actors, musicians, entertainment personalities and other public figures
is well known. In contrast to the general population, an incredible
87-89 percent of the news media voted for George McGovern in 1972 as a
deliberate slap in this country's face. Nearly 25 years later, another
87 percent to 89 percent of the same professional group voted for Bill
Clinton. These were highly paid and highly visible people who ostensibly
have everything in the world, but have a bitterness toward this country.
Successive generations of wealthy families often degenerate into bitter
chaos. Many people who supposedly have everything are the most diffusely
frustrated and angry.

I don't think at any time in the history of mankind have so many people
had so much, but been so unhappy and bitter--not only at life in
general, but at the very systems that have provided them with their
abundance.

For analytical purposes, the phenomenon can be dissected into five
facets.

1.) Fashion.

2.) Attention-seeking, theatrical or otherwise.

3.) The intrinsic effects of hedonism.

4.) The unsupported brilliancy factor.

5.) The attainment of superficial and hollow goals.

Facet One: Fashion

It is socially fashionable to criticize and hate America. There is a
type of socially administered positive reinforcement paradigm. In most
areas of the country I can attend a social gathering among the pampered
educated elite, recite a series of irrational criticisms of this
country, then get patted on the head and told I am brilliant. If it
weren't for doing that, I don't know what the people involved in that
social value system would do with themselves. Many of them have no other
life or no other way of relating to each other or to people in general.

Facet Two: Attention-Seeking

Many people want to make themselves different, want to make themselves
interesting, and want to generate attention to themselves. In listening
to the private conversations and public positions of a number of people,
it's reasonable to wonder what that person would do to create interest
in himself or herself or what he or she would do for a life's role if
they were to relinquish the role of being political and social
provocateurs. They use this role as a substitute for a real personality.
They simply have nothing else going for them. They are eternally on
stage with intellectual contortions and jabs. Those who can do it
effectively can make careers and money at it. Some of them combine this
with subtle sadism and an eternal anger at the adult world.

In the entertainment world this has evolved into a theatrical politic.
By parading the proper antagonistic politics one can be on stage and in
the limelight constantly and have no need for a press agent.

Facet Three: Hedonism

Greek mythology tells the story of King Tantalus who was condemned by
the gods to eternal suffering by standing in a pool of water which
receded from him when he tried to drink and being surrounded by boughs
of fruit which withdrew from his attempts to feed himself. Thus, he was
sentenced to eternal thirst and hunger while surrounded by plenty. This
is the origin of the English word tantalize.

Depending on an analysis of his personality, consider the possibility
that a far worse punishment might be to satisfy his every desire,
impulse, or wish.

An ancient proverb warns, if you find honey, eat only so much as you
need, lest you become sated and vomit it up. The pertinent point is
there is an intrinsic limit upon simple physical pleasure without
values. Those who pursue such pleasure are often doomed to the most
excruciating dissatisfaction as they become successful in finding
satisfaction.

One can only eat so much and still have appetite for food. One can only
drink so much at a time and still feel satisfaction from the taste of
water or wine. One can drive but so many automobiles at a time. One can
occupy only so many rooms in a house of unlimited size at a time. One
can only go to so many night clubs, then they all become the same. One
can only engage in sex with a limited number of people at a time. One
can only smoke up, snort up, or shoot up a limited amount of drugs and
there is a limit to how high one can get. Higher and higher can only go
so high. After going so high, ordinary real life has little to offer by
comparison. Pure continuous fun loses its fun. Excesses in the
continuous pursuit of pleasure and fun produce emotionally dulling s
atiation which then necessitates more extreme excesses to maintain the
high level of novelty. There is a theoretical and practical limit to the
amount of continual level of novelty and excitement that is possible.
Beyond that level, novelty and excitement become a subjective norm,
contradicting the basic definition of novelty.

Many times I have been to dinner with people at expensive restaurants
who complained about the food and were angry. Although I'm certain they
didn't realize it, the reason they found the food unsatisfying was
because they were not hungry. They still had a full gut from lunch or
from the night before. They were force-feeding themselves almost to
nausea in the belief that the last course they were desperately
attempting to engulf should somehow be as satisfying as the first bite.
If they were hungry, the food they were complaining about would taste
good. If their body needed the food, it would taste better. But, they
want to be satiated beyond their need and capacity to assimilate food.
In recent periods, at least three of the top ten best selling books at a
time for prolonged periods in this country have been weight-loss diet
books. Telling the afflicted any of this, by the way, is the quickest
way in the world to become looked upon as a barbarian and be made a
social pariah.

When I was in my teens and twenties, I regularly ate a full platter of
four to six pork chops and fried potatoes for breakfast nearly every
morning. Nothing ever tasted better in my life. I'd eat five sandwiches
for lunch and have a big dinner. I was working heavy labor. I needed
that food. I ate for need, not for continuous amusement. When you spend
a day loading concrete blocks on scaffolds or doing factory work, simple
steak and potatoes are the most delicious meals you will ever have in
your life.

Americans, and affluent populations in other areas of the world, have
become the most passively over-entertained, over-amused,
over-stimulated, over-fed, over-noveltied, over-musiced, over-danced,
over-sexualized, over-indulged people in history. They can't get enough
of any of it because they've already had too much of all of it, and they
are being exhorted to get more. In this category are many of the
so-called urban poor in this country who have access to things that
would have been undreamed of not too many years ago and live lives of
self-indulgence. While they may not have affluence, they are
directionless and immediate-pleasure oriented on simple levels to a
point of irresponsibility. That's why they are poor.

There is a compulsive pursuit-of- pleasure which is a function of at
least four elements.

A. Many people know nothing else but passive enjoyment. They are
conditioned from childhood to believe there should be a easy source of
easily-absorbed enjoyable experiences that don't require
self-development. Unfortunately, self-development and feeling of a
ccomplishment are what really count. They are involved in a pleasurable
but empty style of living in which they have no investment in life and
appreciate or value little.



B. There is a condition of satiety with a jaded condition of inability
to enjoy anything. Within this condition people keep moving toward
greater excesses in attempts to break through their jaded condition and
their engorged satiation. In so doing, they worsen the condition. Many
Americans have been going off the deep end in personal excesses
attempting to break through their jaded condition. As a symptom we have
musical groups that resemble and act like grotesque militant motorcycle
gang rejects having grand mal seizures because they are too jaded to
enjoy ordinary good music. Frank Sinatra could never become successful
today because people are no longer moved by a master singer, they
require a psychotic break.

C. There is a constant exhortation toward pleasure in the media and
other psychological surroundings. No one could possibly engage in the
amount of constant sexuality, beer drinking, soda drinking, exciting
car-driving, perfuming or whatever portrayed in the magazines and TV
commercials at the rate of three times per page or ten times per hour in
commercials. It is not real life. The reality of what is being presented
does not correspond to the imaginary glow in the visual imagery selling
it.



People turn on their TV or go to night spots or to whatever and they
want more. There is no more. We have run out of more in this country and
people are angry about it.

Presently, for three thousand dollars a day, a person can obtain
virtually all the pleasure that is conceivable and within the capacity
of the physical human being. The only limit is that you can't be in two
different places simultaneously. You can ride a plane for seven hundred
dollars a day and go anywhere in the world at 600 miles per hour, being
entertained by the latest movies and music on the way. As a practical
matter, you can't be at the Taj Mahal and a Rhine castle simultaneously.
It's going to take time to view either place. You can buy the finest
food at either place for a hundred dollars per dinner, but still only
eat or drink limited amounts. You can buy more clothing than you have
time to wear or even have time to try on. For a thousand dollars a day
you can buy designer drugs that will blitz what few brains you have left
or started with. And so on. For many, drugs are the only remaining flood
of effortless continuous satiation left in which they can engage. It's a
peculiar form of serious addiction.

There is a theoretical limit to the amount of novelty and pleasure in
which one can engage, even within the most unlimited fantasy. For
practical purposes, technology and affluence have nearly attained that
limit. There was a time when the physical technological environment was
such that people were limited as to what and how much they could do.
They could only wonder and speculate about distant areas of the earth or
wonder about isolated hedonistic extravagances heard to exist in one or
another big city. To do any of it would cost more money than anyone had.
The physical/mechanical restrictions in transport, alone, were
insurmountable. Those limitations no longer apply.

D. There are people operating under a crossed drive level/satiation
mode. They are in a condition of high need or diffuse dissatisfaction
from one area of their lives. They attempt to reduce that
need/dissatisfaction or try to satiate themselves by flooding themselves
with drive-reducers or satiating activities in other areas. If their
overall dissatisfaction level is high because of alienation, lack of
meaning, anxiety and fear, which produce an overall high drive state,
they reduce their overall state of nervousness with food, drink, sex,
and compulsively flooding themselves with activities. People
subconsciously think food or a partnership in a law firm are going to
solve their insecurities, fill the gap left by their fear of intimacy,
make their marriage work, or substitute for other diffuse
dissatisfactions resulting from difficulties in primary important areas
in their life. They become obsessed with these attempted substitutes--
and often determined to avoid their real problems.

I find many people are wallowing in trivial excitement/amusement while
neglecting their lives. And are bitter about the condition of their
lives.

Facet Four: Unsupported Brilliancy

Many artists, actors, intellectuals, and whatever making up a cultural
axis are chronically angry at the disinclination of the rest of the
world to recognize their brilliance. Their claim upon brilliance is
based primarily upon self-evaluation and upon evaluation by those who
either share their opinion or share their anger. In many cases they
mistake or mislabel their protests against the process of maturation as
being intellect. In most cases they don't have nearly as much to say as
they believe or wish they did. That leads to a constant hostility toward
society.

Facet Five: Hollow Goals

Many people have a superficial show-and-tell shopping list of life roles
or accomplishments they have been talked into and pursue superficially.
They're programmed to function up to the time they have done and checked
off every item on the list. They have no idea what to do, or what's
going to happen, when that list is completed. They are lost when they
have finished the list.

A number of people are pursuing success and pursuing glamour. They want
more. When they get it, their money is no good because they can't have
any more and they can't buy any more. No more is possible. They've
reached the limits. They are pleasure-satiated. They don't know what to
do with themselves. They are dissatisfied and angry and disillusioned
and resentful. Some of them demand double and triple their salaries,
trying to get more. They receive the amounts, but still can't assimilate
more of the glut they are able to purchase. We have entertainment
personalities making twenty, fifty, eighty or a hundred million dollars
per year who can't spend it on themselves in a lifetime. We have an
extensive population that is critically placed that have used up life a
nd for whom there is nothing left and they are mad at the world. They
release their anger through a compulsive criticism of society.

There is the mistaken belief that fame, money, and success are going to
miraculously transform one's life. It doesn't happen. No matter how rich
or beautiful or famous you become, you still become old and die like
everybody else. You can't buy everything or buy your way out of
everything no matter how successful or famous you happen to be. At some
point age and eventual age and death dictate that you relinquish it all.
This is a source of bitterness toward life and the world to people who
believe in an eternal image of success and fame.

Fame and/or success don't correct stupidity or mental disorder. They
only finance it or furnish an outlet.

There are those for whom public recognition is an unplanned accident or
an accidental secondary consequence of success in a primary effort.
Hence there was the perennial honest comment by actor Jimmy Stewart who,
when asked about his successful career, used to reply, "Well...I've been
pretty lucky." Jimmy had a sense of proportion that is rare.

But, to those who are spoiled to the point of irrationality, or who are
compensating for some internal condition, the ideal life would be on
stage where they can cavort and pretend without substance to the
applause and adoration of audiences. But it doesn't change their lives.

There is a parallel pattern between socialists and those who live for
the performing stage. They believe changing the world will change
dysfunctional personal lives. It doesn't.

There are people who for a variety of reasons have an unlimited hunger
for admiration and attention. Those who pursue glamour will find
disappointment. Glamour is a mirror which reflects back the fantasies of
people who look at it. When people are excited about seeing a stage
star, a public figure or whatever, they think that public figure is as
excited as they are or that that public figure is living what the
observer is feeling. They believe if they somehow achieve glamorous
success that they will experience continuous excitement. It never
happens. This projection is a delusion. Glamour exists only for people
who don't have it.

If two thousand people per hour are thrilled to see a public figure, it
doesn't mean that public figure is thrilled at the rate of two thousand
times per hour. People of any substance who are glamorous or well-known
don't feel glamorous. On the average, glamour evaporates six months
after one obtains it. Public recognition wears thin. Well-known figures
don't exist in a state of continuous ecstasy because people recognize
them. This can be a source of severe disillusionment or even depression
to people who expect some sort of cure-all or feeling of glamour after
attaining fame or success.

As the old-time high school football coaches used to say about a
supposedly unbeatable opposing team, "They put their pants on one leg at
a time." The meaning was, they're not super-human. They are the same as
anybody else. And like everyone else, famous or successful people lead
unglamorous private lives. Their personal happiness is only as good as
those private lives. Cindy Crawford and Richard Gere went through an
unhappy marriage and divorce. Judy Garland drank herself to death.
Marilyn Monroe apparently committed suicide, And so forth.

How does it feel to be the world's most glamorous fashion model, or the
world's most sought-after actor, or whatever? It feels about the same
way you feel while reading this—or maybe worse. If you are Cindy
Crawford, it feels like your marriage to Richard Gere fell to pieces in
weeks. If you were Marilyn Monroe, it feels like you are going to commit
suicide. If you were Judy Garland it feels like you are drinking
yourself to death. If you are actor Carroll O'Connor, it feels like your
son died of a drug overdose. And so forth.

Fame and success don't teach one how to live. Those who don't know how
to live before they are famous, won't miraculously know how to live
after acquiring fame and success.

Sitting in front of me is the "Life" section of the June 28, 1989, USA
Today. The feature story is a piece on Johnny Carson, provoked by a
biography, King of the Night, by Laurence Leamer.

Carson was the undisputed ruler of late-night television for more than a
quarter of a century and was one of most consistently highly-paid
entertainers in the country, if not the world. Carson was described as a
man living an unhappy and turbulent personal life with a history of
divorces, chronic affairs, sexual excesses, drinking and progressive
alienation from those around him. The article ends with a quote from
Leamer. "If he (Carson) were selling shoes in Omaha, he'd be the same
unhappy guy. He missed it. He doesn't understand what life is all
about."

That's probably true. Another twenty, forty or one hundred million
dollars would not have bought him any more than he had. Another one
hundred million dollars would not have changed anything for him. The
change must be within him. Until that happens, his money is no good. His
health is apparently failing, and now none of it makes any difference.

It can be seen in retrospect that some of the guests and some of the
attitudes on his show were probably reflections of his personal problems
or were attempts to psychologically work though his problems.

And so it is with a proportion of successful public personalities,
writers, actors, directors, comedians, newspeople, and so forth who
express a diffuse disillusionment, resentment, bitterness and
antagonism.

-30-

from The Laissez Faire City Times, Vol 3, No 20, May 20, 1999
------------------------------------------------------------------------
Published by
Laissez Faire City Netcasting Group, Inc.
Copyright 1998 - Trademark Registered with LFC Public Registrar
All Rights Reserved
-----
Aloha, He'Ping,
Om, Shalom, Salaam.
Em Hotep, Peace Be,
Omnia Bona Bonis,
All My Relations.
Adieu, Adios, Aloha.
Amen.
Roads End
Kris

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