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http://www.salon.com/ent/col/mill/2001/04/04/thats_my_bush/index.html

President Dumbass
In the bratty "That's My Bush," the "South Park" boys claim they're
sending up sitcoms, not George W. Right. And Cartman's a genius.

- - - - - - - - - - - -
By Joyce Millman

April 4, 2001 | There are some pretty good jokes at George W.'s
expense in "That's My Bush," the new Comedy Central sitcom,
premiering Wednesday at 10:30 p.m., from "South Park" brats Trey
Parker and Matt Stone. But Parker and Stone's best jokes may have
been the straight-faced answers they gave the press in "That's My
Bush"-related interviews over the past few months.

They're not really making fun of the president, they insist, they're
more interested in making fun of sitcoms, which they
hate. "'Everybody Loves Raymond' takes a character and makes him into
an icon," Parker explained in an interview with the news service
Reuters. "We thought it would be so subversive to take someone who's
real and maybe a little vilified and try to make everybody love him."
If Al Gore had been declared the winner of the 2000 election, claim
Parker and Stone, they would have done a sitcom about him. Hey, they
didn't even vote last November! But if they had, they might have had
Republican leanings.

Yeah, and Eric Cartman is a Rhodes scholar.

"That's My Bush" (the official title has an exclamation point as a
shout-out to the short-lived '70s black sitcom "That's My Mama!") is
a rude and crude portrayal of Bush as President Dumbass. It made me
laugh out loud a few times. But, then, I voted for the other
guy. "He's the president in residence/He's sort of in charge/ He's
got the whole country sayin'/'That's my Bush!'" goes the swingy theme
song, played over a montage of Our Leader in one wacky Lucy mess
after another (covered in soap suds, wearing a maid's uniform).

Played by Timothy Bottoms, the George W. Bush of "That's My Bush" is
an inept sitcom paterfamilias in the tradition of Ray Barone, Hal
from "Malcolm in the Middle" and, yes, Homer Simpson. He's the
bumbling head of the household (and country) who has to be rescued
from jams by the smarter grown-ups around him, his long-suffering
wife Laura (Carrie Quinn Dolin) and his advisor Karl Rove (Kurt
Fuller).

In the April 11 episode, for instance, George's college frat buddies
come to visit right when he's supposed to witness an execution to
show his critics that his support for the death penalty is rock
solid. Now, George doesn't want to witness an execution ("That
doesn't sound any fun!"), but he doesn't want to look like a wuss in
front of his friends, either.

So he and Karl arrange a fake execution, during which George gets
carried away showing off for his pals. He taunts the prisoner ("You
have the right to die like a little bitch and have your soul sent to
hell!"), jabs him with the lethal injection and threatens him with
the "gas chamber" before breaking wind in his direction. But guess
what? There's been a zany sitcom mix-up!

"Ah can't believe ah killed that man," George wails to Laura in the
obligatory "lessons we have learned" bedtime scene at the end of the
episode. "He begged for his life and I farted on him!" To which the
wise Laura soothingly replies, "It's no different from those 152 men
you put to death in Texas. You just did it yourself this time!"

As a sitcom spoof, "That's My Bush" has all the clich�s down cold.
There's the sassy maid Maggie (Marcia Wallace), who rags on the
president with the sort of crowd-pleasing topical barbs sassy maids
were always flinging at their employers in '70s sitcoms. "Don't you
have laundry to do?" George asks her, exasperated. "Yep, I gotta do
like your father did and separate the whites from the coloreds," she
snaps, as the audience woo-hoos on cue.

Then there's Larry the nosy neighbor (John D'Aquino), who pops into
the White House unannounced, grabs a beer out of the fridge and
shoots the breeze with George. When Larry comes up with the
beginnings of a scheme, George narrows his eyes and
grunts, "What'choo talkin' 'bout?" like Gary Coleman on "Diff'rent
Strokes." And, of course, there's George's mutated Ralph Kramden tag
line, which the audience recites along with him: "One of these days,
Laura [chuckle, chuckle], I'm gonna punch you in the face!"

One sitcom clich� missing from "That's My Bush," though, is the brood
of adorable, mischievous kids. Comedy Central ordered Parker and
Stone to drop their planned portrayal of Bush twins Jenna and Barbara
as sexy lesbian lovers. Now there are no children around for Laura to
mother, but that's OK, because she has her hands full with George.

Timothy Bottoms makes a fine W., even though he looks more like Bush
the elder than his son. Bottoms nails George as an intellectually
challenged, yet earnest, guy who's trying as hard as he can to be an
adequate authority figure. All he wants is for people to get along,
his wife to not be pissed at him and to not have to think too hard.
Poor George. He makes such a mess trying to make everybody happy, you
end up feeling sorry for him. Which, I guess, sort of proves Parker
and Stone's point about the transforming power of sitcoms.

Parker and Stone's spoofy format, however, is in danger of swiftly
wearing out its welcome. Dopey sitcom clich�s are fun to savage --
once. After a couple of episodes, you start to feel like you're
watching the 12:30 a.m. "Saturday Night Live" skit that wouldn't end.
Compared to "That's My Bush," "South Park" is a model of comic
shapeliness and economy. And aren't Parker and Stone being just a tad
snobby, lumping all sitcoms, the sly and the lame, together in their
discard pile? Come on, everybody doesn't love Raymond, as viewers of
that sharp and nasty show know.

But the first two episodes of "That's My Bush" do have some flashes
of unvarnished political satire, and they're stunning in the way they
use grotesque humor to suggest even more grotesque truths.


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