-Caveat Lector-

from:
http://dontyson.tripod.com/necro.html

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THE TRUTH ABOUT NECROMANCY
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(Edward Kelley and Paul Waring raising the dead)
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Necromancy is the magic of communicating with the souls of the dead for the
purpose of obtaining useful information. The word literally means corpse (
nekros) divination (manteia).

It is one of the most ancient forms of magic. A large part of primitive
shamanism, from which all forms of magic derive, was about communicating with
the spirits of dead ancestors. We see this in modern Voodoo, which is
essentially a religion of ancestor worship that has evolved a pantheon of
gods and goddesses who fulfill the roles of great ancestors to all the people.

What sets necromancy apart from ancestor worship is its attitude toward the
dead. The necromancer communicates with any easily-accessed soul that may
possess the information he or she needs, and the willingness of the departed
is of no consequence. Necromancers compel the souls of the dead to reveal
their secrets against their wishes.

Traditional necromancy relied upon the relics of the corpse as a bridge to
establish communication with the shade of the dead person. It involved the
use of such things as grave mold, the bones, skin, hair and fingernails of
corpses, and body parts such as hands, teeth and eyeballs. The skull was
considered to be especially useful, since it housed the organs of the higher
senses of sight and hearing, the senses through which the dead person
acquired secrets.

A departed soul might be expected to know important matters in two areas:
what he had seen or done during life, and what he had seen or done after
death. Often necromancers called up a shade to discover the hiding place of
treasure which the person during life was rumored to have possessed. The dead
were thought to have special access to occult knowledge, and sometimes they
were called back from beyond the grave to teach the necromancer techniques of
magic not available by any other means, techniques acquired in the afterlife.

It was believed that the shades of the dead were attracted to freshly-spilled
blood, because blood was one of the primary repositories of vital energy in
the body. Since the dead lacked bodies of flesh, the thinking went, they must
lack vitality and therefore be weak. Hence their pale appearance when they
were seen as ghosts. If fresh blood was spilled while still warm on the
ground, or better still into a pit, or even better still into the opening of
the grave, its energy would attract shades, who would then seek to nourish
themselves upon on.

The reason it was better to spill blood into a pit is that in ancient times
in Greek and Rome where necromancy was extensively practiced, the underworld
was popularly considered to lie beneath the ground. Spilling blood into a pit
brought it nearer to the shades of the dead and drew them upward. It was
sometimes spilled into the grave of a specific individual to attract that
soul, on the theory that the shades of the dead have an affinity with their
own corpses.

Murderers and other criminals executed for their crimes were prime targets of
necromancers, both because there was seldom a loving family to tend and guard
their remains, and because anyone executed as a criminal was thought to have
a restless spirit that walked the earth, and therefore was more accessible.

The common image of a necromancer shows him or her confronting the actual
risen corpse that has been animated and made to stand and walk through magic.
This is, of course, mere fantasy, but at its root lies the true practices of
necromancy. The corpse was not actually made to move and speak. It was merely
used as the focus for the spirit attracted by the spilled blood and
evocations of the necromancer. It was necessary for the necromancer to
possess mediumistic abilities to hear psychically the words of the spirit, or
to gain the information of the spirit through other forms of communications.
Oftentimes the shade of the dead, called up by the necromancer, merely
pointed in the direction where his treasure lay buried, or silently led the
necromancer to the spot.

In my opinion, it is not possible to call forth through necromancy the actual
souls of those who have died. However, it is possible to summon spirits who
represent themselves as those departed human beings to the necromancer, and
these spirits may indeed possess valuable occult knowledge, or know of things
that are hidden.

There are two necessary aspects to necromancy. The calling of the shade, and
the compelling of the shade. In ancient times these were combined. For
example, Odysseus, the hero of Homer's Odyssey, called back shades from the
underworld by spilling the blood of sacrificed beasts into a trench in the
ground, then compelled the shades to speak by preventing them with his drawn
sword from drinking the vital essence of the blood. Spirits are vulnerable to
cold steel.

You may say that the Odyssey is only a fable. True, but in the age of Homer
there were many necromancers in Greece. Homer was an intelligent and
well-informed man. His description of necromancy is very probably based on
the actual practices of Greek necromancers.

A shades can also be summoned by establishing a magic link with it using a
relic from its corpse, and then inflicting pain upon the shade through the
relic until the shade complies with the demand of the necromancer. For this
reason, the shade is often very unhappy with the necromancer, who usually
works inside the protective boundary of a magic circle so that the shade
cannot attack him. You can see such a magic circle in the illustration at the
top of this page, which shows the Elizabethan alchemist Edward Kelley, and
his friend Paul Waring, together inside a magic circle confronting a corpse
in its grave shroud, which they have evoked by magic. This is a depiction of
an actual event - Kelley was a necromancer in addition to his alchemical
pursuits.

Given the nature of necromancy, it is not to be wondered that necromancers
were shunned by the general population, and were forced to live by
themselves, often in the near vicinity of graveyards, where they procured the
materials for plying their trade. They were only sought out by those who
desperately needed information that could not be obtained in normal ways, and
were handsomely paid for their services.

Not only graveyards, but gibbets and battlefields were popular haunts for
necromancers. A gibbet is a structure like a gallows from which the bodies of
executed criminals were hung until they rotted, were pulled apart by crows
and ravens, and fell to the ground. Beneath a gibbet, which was usually on a
road removed at some distance from the town since rotting corpses stink, the
necromancer might expect to harvest many useful bones. If he or she was more
bold, parts of the corpse such as the hands would be cut off with flesh, fat
and skin still attached. All these materials are useful in necromancy.

Battlefields were popular with necromancers because the ground was literally
saturated with blood. In previous centuries wars were fought with swords.
Sometimes soldiers struggled ankle deep in blood. Since this was the place of
their deaths, the restless shades of slain soldiers were believed to haunt
any field where a battle had been fought. This made a battlefield,
particularly a recent battlefield where the blood was still fresh, an even
better place to work necromancy than a graveyard.

Necromancy was not solely man's work. There were female necromancers in
ancient Greece and Rome, who are usually referred to, under the much abused
umbrella term, as witches. The term witch has been far too broadly applied in
English texts to anyone who worked, or was believed to work, evil by magic.
Necromancy was a very specific type of magic, as I have indicated, and was
not necessarily always worked for evil purposes.

Because traditional necromancy used blood and corpses, and was worked in
places where people had died, been executed or lay buried, it was universally
abhorred and condemned. If for no other reason, it should be outlawed because
it desecrates the remains of the departed and causes grief to the families of
the disinterred or otherwise disturbed bodies. It is one of the darker and
more sinister branches of Western magic, best left sleeping in the past
beside the shades of the dead.
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