thanks for these initial responses to my small post (and thanks Claudia! for 
recounting some of your thoughts on CheLA),
which was actually a question and it included a couple of examples of media 
arts and performance practices and "building" (practices that in most cases 
also are documentaries, or self documentations, and that produce media and 
disseminated materials and artworks but also experiences and 
events/collaborative organizations and networks), which I felt responded to 
some of things there were said by our colleagues who posted in the first 
/second week.

[It seems to me that issues of "Ephemerality and/or Sustainability" were also 
much at the core of the July discussions on this list ("Creativity as a social 
ontology"), when we heard from organizations such as Furtherfield, ChIT and 
Chateau, and others in the UK,  and alternative social/organizational 
practices.]

I suspected that there  a r e  issues of finding (notwithstanding Lynn's 
optimism, and she may be right of course, but the "traffic in  culture", as two 
anthropologists, Marcus and Myers, i think, called it, is not addressed thereby 
nor the interesting imbalances one might locate amongst the workshops and the 
academic/non-affiliated axes), 
as i was trying to raise questions of location or geography, and the nature of 
links, as they regard media/art production and conservation, and all the 
activities that Ricardo remembers, the media labs and workshops, etc. 

"Trespassing  geographies  is very much what this is about, on every level," 
Lynn argues, and I wonder whether this is as easily done as it is claimed. 



respectfully

Johannes Birringer


________________________________________
 claudia wrote

Subject: Re: [-empyre-] Conservar, Documentar,  Archivar.
Hello everyone,

I respond taking as a point of departure some of the very interesting
remarks pointed out by Johannes.

I find very stimulating his concerning with the politics of the art &
technology scenery. One of the cases he comments -the setting up of CheLA
(Centro Hipermediático Experimental Latinoamericano)- presents interesting
edges. 
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