At 5:17 PM -0400 10/13/02, Darcy James Argue wrote:
>On 2002/10/13 04:23 PM or thereabouts, Christopher BJ Smith
><[EMAIL PROTECTED]> intoned:
>
>>  I don't know whether this is universal, but the way I was taught when
>>  writing concert-pitch scores, octave-transposing instruments such as
>>  picc, contrabassoon, glock, and double bass are written in the octave
>>  read by the player regardless. This seems to fly in the face of the
>>  convention of concert pitch, where EVERYTHING should be written where
>>  it sounds, but I learned to call these things C scores, not
>>  concert-pitch scores.
>
>Again, this problem is easily avoided by using octave-transposing clefs for
>octave-transposing instruments.
>
>- Darcy


But that brings up another problem, which is that those instruments 
do not read with octave clefs, but in ordinary treble clefs and bass 
clefs.

Christopher
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