---------- Forwarded message ----------
Date: Wed, 7 Feb 2001 22:42:12 -0600
From: Monica Kendrick <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
Subject: [silence] Between Sound and Vision,
Cage and sound art events in Chicago
just passing this along.....
>X-Originating-IP: [170.248.66.33]
>From: "nathaniel &/or les grecques anciens" <[EMAIL PROTECTED]>
>To: [EMAIL PROTECTED]
>Subject: Between Sound and Vision
>Date: Tue, 06 Feb 2001 15:17:18 -0000
>Mime-Version: 1.0
>X-OriginalArrivalTime: 06 Feb 2001 15:17:19.0739 (UTC)
>FILETIME=[E5BA6CB0:01C0904F]
>Status:
>
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>
>
>For Immediate Release
>
>**BETWEEN SOUND AND VISION**
>Studies in aural representation of the visual / visual representations of
>the aural.
>
>Bursting onto the international art scene from what seemed like nowhere,
>sound art has captured the imaginations of curators and scholars alike.
>"Between Vision and Sound" explores how one branch of contemporary art has
>roots in little-known work from the group of experimental artists loosely
>assosiated with the extended circle of experimental composers, performance
>artists, visual artists and poets around composer, John Cage.
>
>Since the 1970's, compositions from Cage's watershed anthology of visual
>music scores, "Notations" (Something Else Press, 1969), have been tucked
>away in the Northwestern University Music Library. These remarkable,
>hand-drawn, written and colored documents are rarely seen and almost never
>heard. These original works, many of which were composed specifically for
>Cage's book, come from Pierre Boulez, the Beatles, Charles Ives, Allan
>Kaprow, Yoko Ono, Nam June Paik, Steve Reich, Karlheinz Stockhausen, Iannis
>Xenakis, and many others. Remarkable for their visual impact alone, this
>collection of handwritten, avant-garde compositions demonstrates the
>peculiar power of the liminal dimension that links seeing and hearing,
>effectively ushering the viewer/listener into the interstitial space between
>music and visual art.
>
>Cuarator Hannah B Higgins of UIC has mounted an exhibition at Gallery 400 of
>these scores, presented with their premier recordings. In addition to the
>historic scores, "Between Vision and Sound" includes contemporary works in
>this vital tradition. These works range from the sculptural instruments of
>Jeremy Boyle, Heri Dono, David Dunn, Matt Heckett, Joe Jones, Alison
>Knowles, Charlotte Moorman, Ed Osborne, Paul Panhuysen, Minoru Sato, Dan
>Senn, Carol Sysmanski, Achim Wollscheid, Hildegard Westerkamp to graphic
>notation by Kenneth Goldsmith, Dick Higgins, Jack Ox, and Dan Senn.
>Altogether, "Between Vision and Sound" offers a multisensory experience of
>the variety of Cage's legacy.
>
>A resulting CD will accompany the show's catalog, lectures, special
>concerts, web site, and community outreach programs.
>
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>14.FEB-10.MAR.2001
>Between Sound & Vision
>Gallery Exhibit featuring:
>+ work by Kenneth Goldsmith, Max Neuhaus, Phil Niblock, Achim Wollscheid,
>Paul Panhuysen, Jeremy Boyle, Dick Higgins
>+ the exhibition of original manuscript scores from the John Cage/Alison
>Knowles book "Notations"
>+ premier recordings of scores from "Notations" by Guillermo Gregorio, Gene
>Coleman, Fred Lonberg-Holm, TVPOW, Nathaniel Braddock, Brennan Mcgaffey.
>Gallery400 (400 S. Peoria) Tues-Fri 10-5, Sat 12-5
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>11.FEB.2001 SUNDAY
>Graphic Pieces from the John Cage/Alison Knowles book "Notations"
>featuring, George Flynn, Jeremy Boyle, Brennan Mcgaffey, Greg Hamilton,
>Carol Genetti
>performing pieces by George Flynn, Alison Knolwes, Tomas Marco, Steve Reich,
>Malcolm Goldstein, others, plus a discussion by George Flynn of his work and
>the New York scene at the time of the book's compilation
>HotHouse (31 E. Balbo) 4.00pm
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>11.FEB.2001 SUNDAY
>"Something Else" with Philip von Zweck
>Nathaniel Braddock-Jeremy Boyle on air performance
>WLUW 88.7 FM. 10:30pm
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>13.FEB.2001 TUESDAY
>Lecture/Performance by Eric Andersen
>Gallery400 (400 S. Peoria) 5.00p
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>15.FEB.2001 THURSDAY
>Openning Ceremony for Between Sound & Vision
>featuring Fluxus performances by Eric Andersen, Alison Knowles, Paul
>Panhuysen,
>and audience-directed composition/improvisation performance with Guillermo
>Gregorio, Jeremy Boyle, Nathaniel Braddock, Fred Lonberg-Holm, Brent
>Gutzeit, Scott Rosenberg, Jerome Bryerton, Todd Margasak
>Gallery400 (400 S. Peoria) 5.00-8.00pm
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>16.FEB.2001 FRIDAY
>LAMPO presents Achim Wollscheid
>6ODUM (2116 W. Chicago) 10.00pm
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>25.FEB.2001 SUNDAY
>NOTATIONS Units
>Graphic Pieces from the John Cage/Alison Knowles book "Notations"
>Performed by TVPOW, Guillermo Gregorio, Fred Lonberg-Holm, Nathaniel
>Braddock, Scott Rosenberg, Todd Margasak, Jerome Bryerton
>Pieces by Larry Austin, George Cacciopo, Philip Corner, James Tenney, Toshi
>Ichicyanagi
>Empty Bottle (1035 N. Western) 8.00pm
>
>:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
>
>Questions can be directed to Gallery 400 at 312.996.6114
>Questions specific to the concerts can be directed to
>[EMAIL PROTECTED]
>
>
>_________________________________________________________________________
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>
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