Hello! I responded in the other thread, but I thought I'd pipe in here too.. a few years ago I had success getting natural colours from 3383.
I shot in daylight, no filter and processed in E6. Then I bipacked the 3383 with that Aviphot colour reversal stock that was around several years back (it naturally had an orangey-brown tone to it). I printed it in my Bolex pointed at a kitchen light and processed in E6. In the end it looked totally normal! I was surprised (if a little disappointed) at how normal it all looked. Amanda -- she/her unceded = stolen Saxe Point @ doing.and.doing <https://www.doinganddoing.com/artworks?pgid=kdflk42d-bf472e67-2867-4ce9-8bc1-800f4226afac> https://vimeo.com/amandat http://www.irisfilmcollective.com On Sat, Mar 23, 2024 at 10:02 AM <frameworks-requ...@film-gallery.org> wrote: > > ---------- Forwarded message ---------- > From: Sandy McLennan <smclenn...@gmail.com> > To: Experimental Film Discussion List <frameworks@film-gallery.org> > Cc: > Bcc: > Date: Sat, 23 Mar 2024 08:35:49 -0400 > Subject: Re: [Frameworks] Fwd: [Klubvizija] [Labos] shooting 3383 print > film with or without filter > Scott writes: “Maybe you want this, I don't know. It sure won't look > normal.” > > It’s fun stuff to play with yet going for “realistic” colour is a > challenge. Here’s hoping you get what you want via play. As Robert and > Scott suggested, maybe the orange (colour negative clear base strip) at > both exposures is best bet. > > Because it also wants a tungsten temperature light source and maybe you’re > shooting in daylight to get a lot of light, what about an 85 filter for the > camera exposure? It’s also been suggested to me to double the orange > negative strips (ISO .75?). Have tried this while hand-cranking 1/2 or > 1-second shutter speeds, or longer. Obviously affects your action (or not) > to be recorded > > Experimental, indeed. Glad it’s available and with relatively low price. > > Sandy > >
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