Living on the Market

Ben Antao

Doug Thomas of Toronto is a 41-year-old supply teacher who tries to support his wife and two children by playing the stock market. Although his wife doesn't approve of his activity, Doug has succeeded in making money and saved the family's bacon in the previous two summers. Now, it's March break in 1987 and he wonders if he can pull it off again.

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Antao's Anatomy of Our Economic Times

Reviewed by Tony D'Souza


Ben Antao has written another page turner, a prescient and timely novel of desire and money in the 80's that serves as a perfect prism for the economic difficulties of our times. Doug Thomas is a 'supply' teacher in Toronto's school system, better known in the States as a substitute teacher. As everyone knows, the teaching profession, while immensely valuable to society, is among the least remunerated white collar jobs in existence. And substitute teaching is the least remunerated and thankless niche of that already thankless profession. No one is more aware of this than Doug, Antao's all-too-human protagonist.

We meet Doug in Antao's novel, Living on the Market, in his middle years, long after the idealism of changing the world through teaching has left him, in the very moment when he takes his bearings in his life and looks at his wife and two children as though from a distance, asking himself that timeless question, "How did I get here?"

Though he enjoys the freedom that supply teaching's irregular schedule allows him, Doug has bigger dreams for himself and his family than his meager supply teaching salary can provide. So he does what any A-type personality unhappy with his station in life would do-and what many of us have tried to do as well-he attempts to change his station in life by trying to get rich quick in the stock market. Unfortunately, he does this with his family's hard earned nest egg.

Antao's measured and considered prose is best expressed in his portraits of Doug's inner-most thinking. Take this passage, when Doug is on the precipice of 'risking it all':

"Doug stood at the window in his small bedroom and envisioned his future-living on supply teaching and stock market investments. Now between the concept and its execution lay an interim fraught with a myriad set of emotions ranging from elation to trepidation. He took another day to ruminate over this idea, bobbing and pitching on the waves of intense emotion that urged him on until he could no longer postpone the inevitable decision. Spring was in the air and it had rained the day before. Looking down at the small strip of his backyard, he saw the lilac bush in flower and the tiny raindrops dripping from the petals of red tulips. Renewal of nature must lead to one's own renewal, he thought, and called the Merrill Lynch Royal Securities."

Clearly Antao never abandons the eye for beauty that he has developed over the course of his accomplished oeuvre. What could have been a dull story of dollars and statistics in the course of an everyman's downfall becomes instead a lush and nuanced case study of the desire for wealth that infects all of us. But what sets Living on the Market apart and above is Antao's ability to weave the beautiful moment with the nuts and bolts of reality: not only is he a novelist to whom great and crystalline clarity comes with the ease of the rain in spring, but he knows the decimal points and ratios of his subject matter as well. Antao, lest we forget, is himself a successful financial planner who knows this material as though he himself has lived its ups and downs.

And what ups and downs Antao takes us through in the guise of Doug Thomas! Doug becomes so lost in playing the market through the course of the novel that he constantly calculates how much credit he has access to on both his, and his wife Gladys's, credit cards. Gladys herself is one of Antao's richer characters: though she is reluctant to support Doug in his market plays because of losses her father had suffered during her own upbringing, she is not beyond going on shopping sprees when Doug does well.

But Doug does not always do well. In fact what makes this novel so readable is Antao's crafting of Doug into a character that we at once identify and sympathize with, while understanding that he is also an out-of control train about to spin off its tracks. Antao accomplishes this in two ways. The first is through Doug's relationship with a fellow teacher, Clem Perry, who also has an interest in the market, but is older and more wary of it than Doug is. Some of the quietest passages in the book are when Doug reveals his market plans to Clem, and Clem carefully reflects on the enormity of the chances Doug is taking. The second involves Doug's relationship with his stock broker, Bill Mackenzie. Bill is Doug's greatest cheerleader when Doug is doing well; however, when the market crashes and Doug is threatened with total ruin, Bill doesn't even answer his phone.

It's through Bill-and the reader must wonder here if Antao intended the pun of the stock broker's name-that the true futility of Doug's market endeavors comes most clear:

"In the securities business, Bill learned something about human nature, although he did not make pots of money. Investors would normally clench their teeth and endure the distress of seeing their investments slide in the market; but they would not exercise the discipline needed to wait and watch for their investments to grow fivefold. No, that kind of patience was tough on the physique and the psyche. One only had to look at those who entered the market in 1982 and stayed around for five years; they faced an excruciating reckoning after the October crash. Of course, there would always be some players who would continue to hang in for perhaps another five years; their hope will, ultimately, be proven right by the charts or by the advice of self-appointed mutual fund gurus. In the meantime, the fortunes of brokers would sway and undulate with waves of players billowing at the top, before crashing at the investment shores. Bill shook his head with a cringe of disgust."

What could be more cynical? But this is the world that Doug plunges himself into, and this world delivers him at times to the very depth of its Smithian well. The reader won't soon forget how Gladys forces Doug out from the family home when his investments in options are wiped out. Nor will the poignant scenes of Doug returning to the family fold with presents when his gambles pay off be overlooked. Doug loves his children, Cheryl and Danny, as they do him, and on the surface of things it seems that the risks he takes, he takes simply for them. But Antao seems to be searching for something more in this book, striving to reach an understanding of the basic human condition.

In an ambiguous and unexpected ending to a novel in which we follow the success and failure of Doug's investments as though they are our own, what is revealed is a man with a need that transcends the marketplace of the 80's, a need that indeed transcends the marketplace of our own times, and offers us the portrait of an addict. Doug is so invested in proving his own worth to himself that time and again he risks everything simply to find out if he could be right. As Doug says to his wife to calm her fears late in the novel, "I've a feeling the market will go south again, and if it does, I'll make a killing."

"What if it doesn't?"

"That's the risk I've to take."

Doubtless, many readers who pick up this tense and wonderful novel will remember those very moments when they've told themselves exactly the same thing.


Sarasota, FL, USA
September 2008

Tony D'Souza, 33, a Chicago-born novelist of Konkan origin. He is the author of two novels, 'Whiteman' (2006) and the recently published 'The Konkans'.



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