The discussion of the lace of Dagobert Peche reminded me of the first
time I had seen a reproduction of a work by him.  About ten years ago I
did volunteer work at the local library's Used Book Sale.  I noticed a
novel which had, on its dust-jacket, an image described as "Back of nude
female figure with garlands of leaves, 1924 by Dagobert Peche".  I bought
the book, xeroxed the dust jacket and read this difficult book, expecting
to find a reference to lacemaking somewhere in the text.  There was
none.  It was baffling.  So I re-donated the book to the book sale, but
kept the xerox.  Recently, while researching the origins of contemporary
lacemaking at the Ryerson Library of the Art Institute of Chicago, I saw
"my" picture again, this time in a book showing fabric, lace and
wallpaper designs by Dagobert Peche.  So--back to the suburban library,
which had one copy of the book, titled The Restorationist ,by Joyce
Elbrecht.&nbs p; I borrowed it and read it again, hoping to find what I
had missed previously (I DO NOT RECOMMEND this book, whose structure and
plot are unusual in the extreme).The difference is, I originally saw the
lace simply as lace, a figure intertwined with leaves, surrounded by an
unusual lacy ground.  The book's author saw it as an ILLUSTRATION.    The
"author character (psycheme) presents herself as part of the book's plot:
(p.10):  "This is the plan:As if installing a full-length glass, I'll
stand here like this, wholly exposed for your inspection. let you see off
and on precisely where I am and what I'm all about..."And (p. 152) 
"Pressed against the glass wall...I squint into the darkness outside...My
arms reach up and my fingernails scratch the glass as if I wish to climb
out...Tree branches darken your table..."--- Doris  O'Neill---
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