Thank you Brenda for your detailed and comprehensive reply.  It is very much
appreciated.

In my description of what I am looking for, I left out an important detail.  I
am ignoring the over and under crossing of the threads when looking for
symmetry.  You can think of it as looking for symmetry in the shadow of the
lace ground (a very crisp shadow) or looking at the lace from a little bit of
a distance, not with a magnifying glass (or for me when I take off my reading
glasses).

You are quite correct that at the level of twists and crosses the over and
under position of threads in CTC has rotational symmetry.  I found this level
of detail a bit too restrictive when classifying patterns by symmetry.  I want
to think of the pattern more from a high level view and the impression of
symmetry it gives to a viewer.

In this light, I would say the pattern Gauze Shape on page 8 of Cook and
Stott's "Book of Bobbin Lace Stitches" has four fold rotation symmetry
(pattern can be turned a quarter turn and still look the same).  The pattern
Braided Leaves 2 on page 125 of C&S has two fold rotation symmetry (can be
turned a half turn and still look the same).  Another pattern that I would say
has with two fold rotation symmetry is A82 from Viele Gute Grunde Volume 1, a
very lovely Le Puy pattern.  Patterns like Rose Ground 1 on page 65 of C&S I
would classify, using this shadow criteria, as having only reflection
symmetry.  (To be precise, in Rose Ground 1 there are two different places
where 4 intersecting mirrors can be placed and one place where two mirrors can
intersect.)

Many thanks for your help,
Veronika

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