On Fri 22 Apr 2016 at 15:47:59 (+0100), Anthonys Lists wrote: > On 22/04/2016 14:31, Kieren MacMillan wrote: > >David K wrote: > >>>Hm? How could you even have a compressed multi-measure rest when there > >>>is anything like an "8-bar phrase" in parallel? > >>>That sounds like a problem that cannot occur. > >I assume Wol (like me) has the problem where the compressed rest happens in > >the part, not in the full score — but one wants not to have to use multiple > >\tag constructs just to handle this issue. > Exactly... I write my music with "voiceStaff" to contain all the > score-level stuff eg tempi, tune names, rehearsal marks etc, and > "voiceInstrument" to contain the stuff that varies by instrument, eg > notes, dynamics, anything else like that ... > > In the case example, the phrase is eight bars long, commencing with > a two-bar rest. For another instrument, it won't have a rest. And I > don't want the output to change dramatically depending on what's in > the part. > > So of course, because voiceStaff is not meant to contain notes, it > uses "s" all the time. And I very rarely produce scores, this case > is absolutely typical for me in that we only have a bass-clef part, > and because while some players in our section can read both, we have > some players who can only read bass or treble clef so transposing is > a regular requirement. So I'll have three parts to do, 1st, 2nd and > bass.
I haven't followed all that. Is this the sort of thing you want? Cheers, David.
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