Am 21.02.2017 um 12:29 schrieb kmg: > Also, thanks Urs! For some reason I saw your response only when > checking out the lists directly, it was not in my mailbox. Honestly I > also like the idea of one voice at a time better, and Frescobaldi > helps with seeing it consistently (as you guys pointed out). Before I > saw only "|" at the beginning in some files, but your "| % bar " is so > cool, I'll definitely try to use that (as the lines are sometimes so > long you can't really find that mark easily).
You may have a look at this file: https://git.openlilylib.org/bfsc/kayser/blob/master/works/masses/six/kyrie/corno-one.ily Here it is clearly not necessary to sort out complex input, but I still think it makes the file very clean as a whole. > Specifying durations every time is something I'll try out too, kinda > got used to it by using parallel input anyway. Thanks again. > > Pozdrawiam, > Krzysztof Gutowski > > 2017-02-21 12:19 GMT+01:00 kmg <krzysztof.kolor...@gmail.com > <mailto:krzysztof.kolor...@gmail.com>>: > > Thanks! Actually somehow I never used screen splitting.. now > trying it out, and it means you have basically \parallelmusic > without drawbacks, that's really cool. Also with folding > Frescobaldi provides, you can hide stuff you already completed. I > guess you can even split to 4 when working on 4 voices and then > use another Frescobaldi window just to see preview of the score. > I'll try that approach next time. > > Pozdrawiam, > Krzysztof Gutowski > > 2017-02-21 11:18 GMT+01:00 Federico Bruni <f...@inventati.org > <mailto:f...@inventati.org>>: > > Il giorno mar 21 feb 2017 alle 10:40, kmg > <krzysztof.kolor...@gmail.com > <mailto:krzysztof.kolor...@gmail.com>> ha scritto: > > I started to like \pararellmusic, because you can go one > measure at a time, instead of of putting bunch of voices > and going back and forth. On the other hand, it seems like > it's limited and you have to restate your note lengths > every time, also some nested slurs can be a problem > sometimes. But it seems like the most clean approach for > typesetting something like baroque sonata for the piano.. > > > Frescobaldi allows to split the editor pane vertically, so you > can work on multiple voices (each in a different variable) > without having to scroll up and down. This is what I use to do > on 2 voices guitar pieces (what I usually typeset). > > > Last thing - I saw some putting barchecks in the beginning > of the line (including the very first bar). Are you doing > it like that too? > > > No, I don't. > In general I use one line per measure; each measure ends with > a barcheck. > If the measure is long, I let Frescobaldi wrap lines > (View>Wrap lines). > If the measure contains tweaks or overrides, I nest them using > two spaces. Even though using Frescobaldi format tool makes > this nesting disappear; so you have to be careful (and use > version control like git). See these two discussions: > https://github.com/wbsoft/frescobaldi/issues/573 > <https://github.com/wbsoft/frescobaldi/issues/573> > https://github.com/wbsoft/frescobaldi/issues/437 > <https://github.com/wbsoft/frescobaldi/issues/437> > > > > > > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user -- u...@openlilylib.org https://openlilylib.org http://lilypondblog.org
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