Andrew Bernard <andrew.bern...@gmail.com> wrote:
>
> Why don't you just create the three voices and notate inside
> each one continuously?

Because this music constantly goes back and
forth between homophonic chords and contrapuntal voices.
This is one of the few places in the 150_ measures
that the music goes to three voices though.

> keeping it simple like this makes work a whole lot
> easier I find.

In the context of the entire composition, this snippet
is not overly complex.

And we still do not have an answer to my issue.

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