On Mon, 24 Sep 2018 at 04:25, Simon Albrecht <simon.albre...@mail.de> wrote:
> On 18.09.2018 21:10, Kieren MacMillan wrote: > > Here’s one way. (Note that I also <<>>'ed the \global variable into > each*staff* context in the score, rather than into each note variable > definition; personally, I think that is better coding style, for many > reasons.) > > I for my part don’t feel like I have arrived at a consistent way of > doing this, which is a pain, because I reconsider it for every project, > however it seems to also make sense to make less effort for small > projects. However, I increasingly fancy the idea of putting everything > exactly where it belongs, for example having a timing variable that > contains only content which pertains – musically and LilyPondically – to > the entire score (or, in polymetrics, everything which has the same > timing). > And maybe even splitting stuff up into per Staff and per Voice. Though, > as I said, this is all in a kind of experimental stage and not quite > thought through. > > Best, Simon > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user With my current multi-movement choral work, I have the following: globalGlobal = { \set ChoirStaff.systemStartDelimiter = #'SystemStartSquare \override Score.SystemStartSquare.collapse-height = #6 \set Staff.printKeyCancellation = ##f \tupletUp \override Score.FootnoteItem.annotation-line = ##f \override Accidental.hide-tied-accidental-after-break = ##t } then GlobalSeventh = { \globalGlobal \key g \major \time 2/2 \tempo 2 = 60 \skip 1*100 \bar "||" \break \time 4/4 ... } then \new Staff = "T1" \with { instrumentName = "I" % Tenor 1, ChoirStaff is called "Tenor" } { << \clef "G_8" \GlobalSeventh \TenorOneSeventh >> } \addlyrics \TenorOneSeventhLyrics globalGlobal has settings I can't make work in \layout. The movement global has all the key and tempo changes and barlines. Putting it at the start of a music variable instead of << >>ing it doesn't allow it to contain any timing information, otherwise the music will be shifted forward the length of the global variable. Putting the clef where it is a bit idiosyncratic, but it lets me do things like have a trombone part use bass clef in the score and tenor clef in the part. Every time I use a template in Frescobaldi I have to move the \global variable… Vaughan
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