I’m not sure I understood your question right, but I think the usual way to do
it would be to write the ”global” variable as a sequence of tempos, time
signatures and other events separated by spacers or skips.
Something like:
%%%%%%%%%%%%%%
\version "2.23.6"
global = { \time 4/4 \tempo "Allegro" 4 = 144
s1
\time 3/8 \tempo "Adagio" 8 = 76
s4.
\time 5/8 \tempo "" 8 = 92
s8*5
\time 3/2 \tempo "Vivo" 2 = 152
s1.
\bar "|."
}
part = { c'1 | d'4. | e'4~ 4. | a'1. }
\new Staff << \global \part >>
\layout { ragged-right = ##f }
%%%%%%%%%%%%%%
> 21 mars 2022 kl. 09:51 skrev Rip _Mus <ripetizioni.mus...@gmail.com>:
>
> Good morning,
> I would need advice.
> In a score with many time signature changes (where I therefore cannot use a
> stable global variable of tempo and time signature), there is a way to set a
> "guide" in which to set the various time signature changes, without " dirty
> "the instrumental variables?
> Perhaps there is some suitable context for this? Or other strategies?
>
> Thank you very much
>
> Rip_mus
