Hi Alexander,
It's certainly easier for this special case, but the applyRhythm as
is gives far more freedom than your example.
If you have a rhythm like "4 4 8 8 4" in several voices, you can
just say
rhythmA = "4 4 8 8 4"
sop = \applyRhythm #rhythmA { c d e f g | g f e d c }
alt = \applyRhythm #rhythmA { g f e d c | c d e f g }
and don't have to care at all about the rhythm while entering the
notes.
Very nice!
I'm looking forward to hearing from others whether this is the
"cleanest" and most efficient implementation, or whether your fears
about "production-stage" limitations are warranted — until then, I'll
use it and consider myself a guinea pig. =)
Cheers,
Kieren.
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