Hello Abraham and Urs, LP is great, and so is its users list!
Thanks for your help, and a nice day! JM Am 04.09.2014 um 20:59:59 schrieb Urs Liska <u...@openlilylib.org>: > The only thing I dislike about this is the use of \hideNotes. > > \hideNotes makes Notes _transparent_ but doesn't remove the stencils. This > often results in strange output issues, sometimes striking, sometimes subtle. > The problem is that the ties or slurs will still try to avoid the hidden > items, which is particularly annoying with hidden notes with flags. > > http://lilypondblog.org/2013/07/voice-contexts-in-temporary-polyphonic-sections/ > treats this issue from a slightly different perspective. Writing a post about > cross-voice ties has been on my todo-list for a very long time. > > Best > Urs > > Am 04.09.2014 20:26, schrieb Abraham Lee: >> On Thu, Sep 4, 2014 at 11:23 AM, Jacques Menu <imj-...@bluewin.ch> wrote: >>> Hello folks, >>> >>> I’d like to obtain the tie between the cis’s in beat 1 and 2 in the >>> attached, from a version of BWV 508 (3/4). >>> >>> >>> >>> >>> The best I could find is: >>> >>> %%%%%%%%% >>> \version "2.18.2" >>> >>> { >>> \clef "treble" \key b \major \time 3/4 >>> >>> … >>> >>> \tieDown >>> <cis ~ ais fis>4 ) >>> << >>> {fis8 --} >>> {\hideNotes cis8 \unHideNotes} >>> >> >>> fis8 ( [ ais fis ] | >>> >>> } >>> %%%%%%%%% >>> >>> >>> Problem: \hideNotes applies to fis8 too, leading to the following, in which >>> the tie applies to ais’s and not cis’s by the way: >>> >>> >>> >>> >>> Thanks for your help! >>> >>> JM >>> >>> >>> -- >>> >>> Jacques Menu >>> Ch. de la Pierre 12 >>> 1023 Crissier >>> >>> mailto:imj-...@bluewin.ch >>> >> >> Jacques, >> >> You are really close. The way that I do it is to use explicit parallel >> voices like this: >> >> %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% >> >> \version "2.18.2" >> >> pianoRH = \relative c { >> \clef treble >> \key b \major >> \time 3/4 >> >> \new Voice { >> \voiceOne >> << >> { >> <fis ais cis>4 fis'8\noBeam fis ais fis >> } >> \new Voice { >> \voiceTwo >> \once \hideNotes <fis, ais cis ~ >4 <ais cis>4 q >> } >> >> >> } >> } >> >> { \pianoRH } >> >> %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% >> >> I have yet to run into a problem with this approach. Actually, this kind of >> syntax solves a lot of other problems, too. >> >> HTH, >> Abraham >> >> >> _______________________________________________ >> lilypond-user mailing list >> lilypond-user@gnu.org >> https://lists.gnu.org/mailman/listinfo/lilypond-user > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user
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