> And ET is not "indispensable" for modulation -  as I hoped I had made clear,
> it is just one of many temperaments which allow modulation to any key.  It
> also has the unfortunate effect of making all keys sound the same, and
> therefore largely removes the point of modulating in the first place...
Why is it then that composers start modulating only when the temperament
becomes sufficiently equalized?
RT
______________
Roman M. Turovsky
http://turovsky.org
http://polyhymnion.org



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