> You should read the latest journal of the LSA which
> discusses this topic in depth. Surely we can agree
> that many baroque lutes didn't begin life with 13
> courses.
> Sterling
1. That's why so many of them fell apart.
2. Lundberg's opinions are considered dated by some.
3. Too many instruments have fake labels.
RT

> 
>> They were MOSTLY building "from scratch", and from
>> time to time putting in a
>> fake label, for self-evident reasons.
>> RT
>> ______________
>> Roman M. Turovsky
>> http://polyhymnion.org/swv
>> 
>>> So you are saying that J.J. Edlinger and J.C.
>> Hoffman
>>> were not inteligent? That is what they spent most
>> of
>>> their time doing besides making violins.
>>> Sterling
>>> 
>>>> He would never do this, if he were intelligent.
>>>> RT
>>>> 
>>>>> Obviously I would take it to my neighborhood
>>>> expert
>>>>> luthier of course silly:)
>>>>> Sterling
>>>>> --- Roman Turovsky <[EMAIL PROTECTED]> wrote:
>>>>> 
>>>>>> According to luthier-friend this type of sorry
>>>>>> "expediency" is exactly what
>>>>>> was the cause of low survival rate of baroque
>>>> lutes.
>>>>>> This is not as bad as
>>>>>> cello-pins for lutes, but DON'T TRY THIS AT
>> HOME.
>>>>>> Earlier lutes just don't
>>>>>> have enough wood to hold 13 courses.
>>>>>> RT
>>>>>> ______________
>>>>>> Roman M. Turovsky
>>>>>> http://polyhymnion.org/swv
>>>>>> 
>>>>>> 
>>>>>>> From: sterling price <[EMAIL PROTECTED]>
>>>>>>> I have been interested in this for a while. It
>>>>>> seems
>>>>>>> to me to be a valuable insight into historical
>>>>>> lute
>>>>>>> construction, i.e to convert a rennaissance
>> lute
>>>>>> to a
>>>>>>> baroque lute rather than only replicate the
>>>> final
>>>>>>> product. Ed-I think you should now convert the
>>>> 11c
>>>>>> to
>>>>>>> a bassrider 13! If I had an 11c lute I would
>>>>>>> immedeatly convert it to 13.
>>>>>>> Sterling Price
>>>>>>> --- Edward Martin <[EMAIL PROTECTED]>
>> wrote:
>>>>>>> 
>>>>>>>> baroque lute.  In consulting Dan Larson, he
>>>>>> thought
>>>>>>>> it was a great idea,
>>>>>>>> and as there is precedence for doing this, he
>>>> did
>>>>>>>> it.  He had to:
>>>>>>>> 1.  Make a new neck & peg box
>>>>>>>> 2.  Make a new bridge
>>>>>>>> 3.  Open the instrument & brace it
>> differently,
>>>>>> so
>>>>>>>> it could accommodate a
>>>>>>>> wider bridge.
>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> __________________________________
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>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> To get on or off this list see list
>> information
>>>> at
>>>>>>> 
>>>>>> 
>>>>> 
>>>> 
>>> 
>> 
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>>>>> 
>>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> __________________________________
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>>>> 
>>>> 
>>>> 
>>> 
>>> 
>>> 
>>> 
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>>> 
>>> To get on or off this list see list information at
>>> 
>> 
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>> 
>> 
>> 
> 
> 
> 
> 
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