Thomas,
Thanks for the info. I was unaware that Falckenhagen had published 
sacred music. Also, obviously, the practice of continuo blurs the 
situation, particularly with simple tunes used for psalms.
Alain

Thomas Schall wrote:

>There is not much sacred music in those manuscripts. 
>But there are other manuscripts and even prints (Falckenhagen!) only 
>containing sacred music as there still was a living tradition of domestic 
>devotion.
>
>Thomas
>
>Am Mittwoch, 23. Februar 2005 18:04 schrieb Alain Veylit:
>  
>
>>Ralf,
>>This is very interesting: how many of those pieces preserved in
>>monasteries (roughly speaking) are sacred works, as opposed to dances or
>>preludes? any single volume dedicated to the liturgy?
>>Alain
>>
>>ralf bachmann wrote:
>>    
>>
>>>>BTW, has anyone noticed that while 50% of the
>>>>repertoire in the 16th
>>>>century is religious - Ave marias, motets, psalms,
>>>>etc. - the later
>>>>repertoire is entirely profane?
>>>>        
>>>>
>>>Yeap, that´s true ...  monks seemed to like that new
>>>"entirely profane" music. A very substantial part of
>>>the 17th & 18th century lute music is (was) preserved
>>>in monasteries: Grüssau, Seitenstetten, Kremsmünster,
>>>Raigern, Neuburg, etc.
>>>
>>>__________________________________________________
>>>Do You Yahoo!?
>>>Tired of spam?  Yahoo! Mail has the best spam protection around
>>>http://mail.yahoo.com
>>>
>>>
>>>
>>>To get on or off this list see list information at
>>>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>>      
>>>
>
>  
>


Reply via email to