Some time ago Stan Beutens published a neat little analysis of ornamentation symbols in English manuscripts. Is there anything comparable for the 16th c. Italian works? Or, since I don't really notice much of ornament notation in the Italian work, is there at least a guide to where and how to embellish appropriately? Purely intuitive?
Thanks and regards, Leonard Williams To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
