I’m currently partial to the intabulators who took on the work of Archadelt. There's Vindella’s all Acadelt book (1546), the many variations of “Quand’io pens’al martir” and even the chansons for voice and renaissance guitar (A. LeRoy, Cinqiesme Livre). And Crecquillon, non Papa, Pathie, deRore, Lasso and ….
.. who am I kidding? I enjoy most all the vocal pieces set for lute. Ok, all the ones I can play, anyway. Phalese (’63, ’68) and Paladin sometimes stay on the stand for months. Sean ps, Tristan, there’s a nice Pathie set by the mysterious B.M. in Siena. > On Dec 4, 2017, at 12:18 PM, Tristan von Neumann <tristanvonneum...@gmx.de> > wrote: > > Here's a poll for Renaissance Lutists - > > what do you consider most rewarding to play in terms of playability combined > with beauty? > So far, I love Francesco da Milano and most anonymous pieces from the Siena > Ms., they never get tiresome and lie gently on the hands. > Also Hans Neusiedler and Luis Milan. > Not in this category: Albert de Rippe. Amazing music, but honestly, did this > guy have six fingers on each hand?? > > What are your favourites? Is there any obscure repertoire to discover? > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
