I don't think that's entirely accurate. Ronn McFarlane plays his own
compositions, Jakob Lindberg performs the Britten Nocturnal (I know,
it's not that new, and it's not really for lute, but IMO it kinda
counts), Chris Wilke recorded a whole cd of Roman Turovsky's new works
for baroque lute, I saw Elizabeth Kenny perform TWO recent theorbo
commissions at the LuteFestWest, and there's certainly more examples I
just can't think of at the moment.
As soon as I can afford to do so, I intend to commission some works for
myself to play.
Jacob Johnson
[uc?export=download&id=0B6_gM3BRE6ZrYVVZZU5QNmJqdDQ&revid=0B6_g
M3BRE6ZraW9nQ2U4SGNwV0tYVWxobnNBVjBsZi9FNHhzPQ]
Guitar/Lute
[1]www.johnsonguitarstudio.com
469.237.0625.
On Thu, Dec 21, 2017 at 4:12 PM, Christopher Stetson
<[2]christophertstet...@gmail.com> wrote:
Hello all.
An interesting question, Peter, thanks for bringing it up. To
answer
honestly and personally, I'm not especially interested in new
music,
per se, for any of the instruments I play (mainly lute, guitar,
mandolin, but some others too). I couldn't really say why,
except
that the music I've looked at from the last 30 years tends, and I
mean
tends, to be difficult and not especially tuneful to my ear.
There
are exceptions, of course, and I play some of those, though
mostly on
guitar. I'm not a professional, so I tend to be fairly
conservstive
in the music I choose to spend time seeking out and playing. I
also
don't play many of the old compositions that fit the above
criteria.
I fully realize. however, that one person's difficult is
another
person's interesting, and I'm really glad that people are writing
new
music for lute.
Best to all, and keep playing,
Chris.
On Thu, Dec 21, 2017 at 2:34 PM, Peter Martin
<[1][3]peter.l...@gmail.com>
wrote:
Hello all,
I recently bought a Wigmore Hall Live CD of a 2013 concert by
countertenor Iestyn Davies and lutenist Thomas Dunford. It
included
the world premiere performance of a substantial piece by Nico
Muhly
called Old Bones. Up to now, I'd never heard of it, which
surprised
me because Muhly is a very successful young American composer.
His
new opera Marnie has just premiered at English National Opera,
and his
previous opera Two Boys was given at ENO and at the Met in New
York.
The score of Old Bones is available from Music Sales. Yet I
can't see
that the lute world has paid the slightest attention to it.
Which sets me wondering, not about Muhly as such, but about new
music
generally. With the honourable exception of Jacob
Heringman,
scarcely
anyone plays it. Any thoughts on why this is? Are we
simply
not
interested in new music?
Peter
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References
1. http://www.johnsonguitarstudio.com/
2. mailto:christophertstet...@gmail.com
3. mailto:peter.l...@gmail.com
4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
5. mailto:peter.l...@gmail.com
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