Alright, I'll play, deliberately selecting for significance (within my own relatively narrow experience) and diversity (of style, tempo, place of origin, etc.):
- Dowland's fantasia P73 (represents the English camp and some historic significance of an early punteado tremolo effect) - Narvaez's setting of Mille Regretz (intabulation was such an important aspect of music making, and I'm a sucker for melancholy) - Capirola's Ricercare Septimo (to represent early Italian efforts at instrumental abstraction and a linear/melodic approach to lute virtuosity) Best, Eugene -----Original Message----- From: lute-...@new-old-mail.cs.dartmouth.edu <lute-...@new-old-mail.cs.dartmouth.edu> On Behalf Of Tristan von Neumann Sent: Tuesday, November 19, 2019 2:52 PM To: lute@cs.dartmouth.edu Subject: [LUTE] Island Poll It's polll time: The island question! Take three Renaissance lute pieces with you - which ones would you pick? To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
